Nashville – Season 1 Finale – Recap: Whiskey Lullaby via Rickey.org Credit: ABC
Recap and review of Nashville – Season 1 Finale – I’ll Never Get Out of This World Alive:
Nashville has gone through a lot of ups and...
Nashville – Season 1 Finale – Recap: Whiskey Lullaby via Rickey.org Credit: ABC
Recap and review of Nashville – Season 1 Finale – I’ll Never Get Out of This World Alive:
Nashville has gone through a lot of ups and downs in its first season. For every fascinating foray into the background of the country music business, there were at least two other stories that didn’t seem to matter. Now that we’ve seen a full season, and even with tonight’s prosecution/pregnancy cliffhanger, I’m still not sure what the whole political side of the show contributed to anything. Teddy’s (Eric Close) bid for Mayor could have been interesting stuff, ditto his affair with ex-partner-in-embezzlement Peggy (Kimberly Williams-Paisley) and his power struggle against father-in-law Lamar Wyatt (Powers Boothe). Yet neither of those things really came to pass. Between all the talk of baseball stadiums and Federal Investigations, it’s like the entire plotline forgot to actually be interesting. This means that a significant chunk of the episode is spent on something about which we were never given sufficient cause to care. And, as a result, time is taken away from stuff that is vastly more interesting, such as the tragic downward spiral of Deacon Claybourne (Charles Esten). With all that having been said, “I’ll Never Get Out of This World Alive” is ultimately a pretty solid season finale, filled with moments that bring some characters full circle, while placing others back at square one. The episode has some compelling themes beneath the surface, such as the inconsequential nature of fame within the context of personal crises. Season one of Nashville has, in many ways, been obsessed with the concept of fame. Yet none of that matters once the proverbial s*** hits the fan. In a world where fame often comes first, it was fascinating to see it treated as a such an afterthought here. While this season finale didn’t dig nearly as deep as it could have, it still proved to be a compelling way to close out the first season, while providing intrigue going into the second.
Credit: ABC
So the secret is out: Maddie (Lennon Stella) confronts Deacon and reveals to him that he’s her father. After largely ignoring Rayna during their performance at the CMAs (alongside Brad Paisley, because why not?), Deacon confronts Rayna. She breaks down and reveals the truth, confirming that he’s Maddie’s biological father. This leads to an argument where Rayna basically reiterates her point from midseason, that she couldn’t bring herself to wait for Deacon because she had no way of knowing that the fifth trip to rehab would be the charm. She loved Deacon, but she also loved Teddy, and so she married him and allowed him to claim Maddie as his daughter in order to give the young girl stability. But Deacon still wants to know why he was lied to for 13 years, and Rayna doesn’t really have an answer. Thus begins the darkest part of the episode, as Deacon completely falls off the wagon, going on a bender in which he gets stupefyingly drunk while ignoring the phone calls of worried family and friends. He then confronts Teddy the next morning, jumping him outside the courthouse and accusing him of stealing Maddie away from him. Guards break up the fight, and Teddy rightly claims that Deacon was in no shape to be a father to anyone. He then declares that Maddie deserves better than Deacon, adding that Rayna deserves better too. Deacon is allowed back up, and he storms off to go buy more liquor to keep the buzz going. Strangely enough, it’s Gunnar (Sam Palladio), looking to ask Deacon about advice on Scarlett (Clare Bowen), who discovers that Deacon has fallen off the wagon. He calls Scarlett, who gets a hold of Coleman (Robert Wisdom), and the trio burst into Deacon’s house to stop him from tearing the entire place apart. But things only get darker.
Credit: ABC
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