Animation

Music video for Yoshiharu Abe - SUN SET SUN Director Masanobu HIraoka ???????????????????????????????CM??????? ? ?????????????????????????? 7??????3???R??G??B???????? ?1??R??????????????????????????????????? ??????????????????R? ??????????? ?????????????? 5?8??? ?R? 1. RGBOP 2. SUN SET SUN 3. Round & High 4. ???? ????×?? ?(MUSICA)?R??G??B???INTERVIEW WEB MAGAZINE ????????? smallerrecordings.com/rgb/ iTunes itunes.apple.com/jp/album/r-e... TOWER tower.jp/item/3224566/R amazon amazon.co.jp/R-%E9%98%BF%E... ROCKET EXPRESS rocket-exp.com/m/item/item... abedon site abedon.co.jp/store/cd_R.htmlCast: masanobu hiraokaTags:

FOR IMMEDIATE RELEASE – May 17, 2013 Andrew Combs, Willie Watson and Willy Tea Taylor Headline Orange County Benefit Show Tickets go on Sale May 23rd; funds support music and arts education in schools LOS ANGELES, May 15, 2013 – On Thursday, June 27th, Nashville recording artist Andrew Combs, Old Crow Medicine Show co-founder Willie Watson and Good Luck Thrift Store Outfit frontman Willy Tea Taylor will take part in a special acoustic concert at the Chuck Jones Center for Creativity in Costa Mesa, CA. The performance will be part of the “Blackwing Sessions” music series in conjunction with the Blackwing Experience, a travelling exhibit honoring creativity and the woodcased pencil. Proceeds from the show will benefit the Blackwing Foundation and its efforts to further arts and music education in schools. No Depression Magazine named Taylor “one of the most important American singer/songwriters of our time.” Saving Country Music compared Taylor’s songwriting to “those now legendary recordings of Paul Simon in his post-Garfunkel days.” Watson spent 13 years as lead vocalist and songwriter for Old Crow Medicine Show. Paving the way for other roots bands like Mumford and Sons and the Lumineers, OCMS is best known for taking an unfinished Bob Dylan song (“Wagon Wheel”) and turning it into a cult classic. Watson partook in the historic “Railroad Revival Tour”, traveling to concerts throughout the Southwest exclusively by vintage trains and capturing every moment for the “Big Easy Express,” winner of the 2013 Grammy Award for Best Long Form Music Video. Combs’ “Worried Man” ranked as the highest debut album on American Songwriter Magazine’s annual list of 50 Best Albums of the Year in 2012.  In their album review, American Songwriter declared, “In a world full of pretenders, the Texas bred, Nashville based Combs is the genuine article.” Along with individual sets, the evening will feature an “in the round” session, during which all three musicians and other special guests will perform original compositions while discussing the songwriting process. Tickets will go on sale Thursday, May 23rd at 10:00 AM PDT at BlackwingSessions.com. The Blackwing Foundation is a non-profit organization founded in 2012 by Charles and Ginger Berolzheimer to develop and enhance arts and music programs at the K-12 level. “We have dedicated ourselves to developing and supporting programs that have a sustainable, positive impact on arts and music engagement for children who might otherwise not have these opportunities,” said Charles Berolzheimer, founder of Palomino and revivalist of the Blackwing pencil. “Money from this show will help us continue to build strong partnerships in 2013 and beyond.” For further details and ticket information, visit www.BlackwingSessions.com For more information on the Blackwing Foundation, visit www.blackwingfoundation.org ### Contact: Grant Christensen (209) 932-5004

@taylabrookes1 Yes! There will be a #TheCroods 2:

Directed by Gerry Geronimi assisted by Jack Bruner. Laid out by Tom Codrick and Don Griffith. Secretary Marie Dasnoit.This Final draft dated 9/22/54.

“You’re Born an Original Don’t Die a Copy” by John Mason "Another" way make original Graduated Animation by Banpot ChaiwongCast: Banpot ChaiwongTags: Another, Drawing, Doodle and Conceptual

A tale of Love ,Injustice and Desserts . A short film by Raoul Olou music by Kevin MacLeodCast: Raoul OlouTags: animation, 2d, flash and animated documentary

The objective of this exercise is to play and learn animation Practicing the basics of the 3d and 2d animation, and play with colors and fx It's just a compilation of exercises ordered as cool as possible, without tryiing to explain a story I hope you like it! :) music "Play" by Kate Nash you can see more stuff at josepbernaus.com ------------------------------------------------ El objetivo de éste ejercicio es jugar y aprender animacion Practicarlos principios basicos de la animción en 3d i 2d, jugar con los colores i los fx Es un recopilacion de distintos ejercicios ordenados con la mayor gracia posible, sin pretender conta ninguna historia. Espero que os hay gustado :) musica "Play" by Kate Nash mas cositas en josepbernaus.comCast: Josep BernausTags: basics of animation, exercise, practice, flash 2d, 3d, colors, kate nash, i like to play, principles of animation, animation and motion graphics

One minute short movie directed in my fourth year at Supinfocom. About the very special addiction of a horse, and his last temptation.Cast: Alexia SchmidtTags: alexia schmidt, fando, horse, animation, 3d, museum, supinfocom, dali, st antoine and lowpoly

The beta version of my horror-themed boardgame, Camp Grizzly, is coming to Kubla Con this weekend. Our masked killer, Otis, is doing a little pre-show killing to warm-up for his debut. Knock 'em dead, big guy!If you'd like to create your own horrific clay-mation, Here's a handy how-to:It's helpful to keep a toolbox full of clays and armatures so you're ready to animate at a moment's notice. I recommend an oil-based modelling clay like Plastilina.Next, twist yourself up an armature with soft aluminum modelling wire and prep some "guts." Guts are used to build up the form around your armature without wasting valuable colored clay. I usually recycle Plastilina from old animation to form the guts (hence the cool, swirly colors).Once your figure is formed, it's time to create a color palette. I wanted a muted, grungy palette, so I mixed a lot of brown and grey into my colors. Finally, you sculpt up your character! I'd recommend not adding too much detail, because once you start animating, your fingers are only going to smash it away. I'm still pretty new to stop-motion, so let me know if you have any other clay modelling tips. Have a bloody good time!23 days...

John Van Viliet Editorial CartoonAs a follow up to my previous post asking questions regarding the trade association and union the "Scott's" (Scott Squires and Scott Ross) are trying to build...I have created a second posting here with a simplified Q & A using the comments and responses from Scott Squires for easy reading. I originally posed these questions in a way to make it easy for someone to offer some real answers and change people's minds on the topics. Here I have trimmed out any of the discussion about the current state of affairs (which we all understand) and only put the factual answers as responses, below. If you would like to read the correspondence in it's entirety, click here.This Q & A does not directly answer every question, but at least when I sit at a table full of artists, producers and tool makers who are discussing the current situation, I am armed with some answers and accurate information.Angie Jones - How can a union for VFX be effective when VFX/CG/Anim facilities are located all over the world and have their own rules regarding creating or developing unions? Specifically, I would like to know how a union here in the US could compete with studios overseas who may or may not have unions who hire non-union workers for their shows?Scott Squires - Yes, facilities are all over the world. The only rules governing the unions are government rules, not rules from the studios or facilities.A guild will not fix those problems. Those are issues controlled by governments. The guild can provide more protection for the workers so they don't get dropped without pay and some of the other things have been happening in vfx.John Van Viliet Editorial CartoonAngie Jones - How can a trade organization enforce any regulations when an American movie studio can simply incorporate overseas to avoid any American laws or taxes against runaway production? Even better, American movie studios could just buy cruise ships and sail to wherever the money is... and incorporate there.Scott Squires - The Trade association is for the vfx companies. What if all the top vfx companies companies agreed on a given business model? Such as cost plus? Then the companies no longer have to underbid and go out of business. With a majority of the companies on board where are the studios going to go for their tentpole movies? They can't simply farm it all out to 10 man crews around the world. And that's a different solution/issue than subsidies.Angie Jones - Not really an answer here and a lot of "what ifs..." Maybe Scott Ross can offer more on this Q one day?Angie Jones - Even if a union were to succeed somehow (see Q #1) what exactly would this union do about the 1,000's of workers who are no longer employed and cannot join the ranks because they are not working as a formal employee at a facility. How do you create a solidarity of a work force when no one is working... or worse, those working are forced to take jobs as mis-classified contract freelance workers for smaller studios because those are the only studios hiring domestically? BTW, if you are not a legal employee, you cannot join a union. I would say 75-80% of my colleagues are freelance contractors and although employed, are not a w-2 employee of any facility. Where is the workforce?Scott Squires - It doesn't make sense for non-employed people to be in a union. Who is the union bargaining with? How are the contributions and benefits being paid for? I also believe there are laws in place that you have to be employed. Not every thing a union does or can do is of their own choosing. There are very specific federal laws about what they can and can not do.Freelance contractors- Film crews are made up of freelance people. However that doesn't mean they can't unionize. They're all in the union. There is no vfx union. There are no companies signed on as union companies for vfx work. If and when vfx workers decide they wish to unionize they could do so. They could freelance and go from job to