Publisher: Fireship Press
Publish Date: July 15, 2012
Order Links: Amazon / Barnes & Noble
Interview: Q. Please tell us about your current release.The Cross and the Dragon is a tale of love amid the wars and bloo...
Publisher: Fireship Press
Publish Date: July 15, 2012
Order Links: Amazon / Barnes & Noble
Interview: Q. Please tell us about your current release.The Cross and the Dragon is a tale of love amid the wars and blood feuds of Charlemagne’s reign. Here is the blurb:Francia, 778: Alda has never forgotten Ganelon’s vow of vengeance when she married his rival, Hruodland. Yet the jilted suitor’s malice is nothing compared to Alda’s premonition of disaster for her beloved, battle-scarred husband.Although the army invading Hispania is the largest ever and King Charles has never lost a war, Alda cannot shake her anxiety. Determined to keep Hruodland from harm, even if it exposes her to danger, Alda gives him a charmed dragon amulet.Is its magic enough to keep Alda’s worst fears from coming true—and protect her from Ganelon?Inspired by legend and painstakingly researched, The Cross and the Dragon is a story of tenderness, sacrifice, lies, and revenge.Q. How did writing this book affect you?Perhaps the greatest impact on me is that I am all the more grateful for what we have today. The Middle Ages, a time when the personal and political are intertwined, is fun to write about, but I would never want to live during that time. I am quite fond of my coffee in the morning, our instant communication, vaccines and mostly scientific medical care, freedom of speech and religion, social safety net, and women’s rights.Q. Can you tell us about the journey that led you to writing?My journey with The Cross and the Dragon is somewhat accidental, and it began with a family vacation in Germany, when we encountered the legend behind the Rhineland castle ruins of Rolandsbogen in a travel guide. What I’m about to say next is a spoiler; readers who would like to avoid it should skip to the next paragraph. The story is that Roland built a castle for his bride and went off to war. The bride heard false news that he was dead, took a vow of chastity, and joined the convent on nearby Nonnenwerth, an island in the Rhine. Roland returned too late and spent the rest of his days at his window, hoping to get a glimpse of her as she went to and from prayers.The story refused to leave me alone. It followed me home on the plane, where I made sketches in my journal. Finally, I gave in and sat at my computer to write about it, even though I knew little about the Middle Ages at the time.Q. What is the hardest part of writing for you?I’ve agonized over many a transition, but I would have to say the hardest part on an emotional level is cutting the manuscript, something I’ve done twice now. And I don’t mean a little trim here and there. When the cut is 25,000 to 30,000 words, I’m talking about eliminating scenes I researched and enjoyed and characters I liked. It feels like all those violent-sounding sayings, “murder your babies,” “kill your darlings,” “shoot your pets.” But in the end, the process improved the story, and the result was a more focused tale.Q. Do you have a musical playlist you listen to while writing? If so, what kind of music?I am so easily distracted that I most often need quiet. Well, the birdsong outdoors when I can open the windows is nice. When I play music, I enjoy instrumental classical. My tastes vary with what I’m in the mood for, which can range from the bombast of Wagner to the dreaminess of Debussy to the passion of the Beethoven. Q. What would you say is your most interesting writing quirk?I have scraps of paper on my desk with calculations of how long it would take to travel between particular destinations. It’s a complex process. After looking up Points A and B in one of my nonfiction books and making sure they existed, I go to Google maps and sometimes redraw the route to my best approximation what existed. If my character are traveling with carts, I then divide the trip into 12- to 15-mile per day segments, and on top of that give another three days to rest the animals and replenish supplies at a city or abbey along t