So, for one thing, Ann Bausum's splendid post this past Friday, inspires me to show you all my 5th grade picture. It's inspired giggles from many an audience of tactless schoolchildren, bless their hearts.
For another, I'm compelled ...
So, for one thing, Ann Bausum's splendid post this past Friday, inspires me to show you all my 5th grade picture. It's inspired giggles from many an audience of tactless schoolchildren, bless their hearts.
For another, I'm compelled to inform you that on this day in A.D. 526, a big whacking earthquake in Syria ended the lives of some 300,000 people, about 230K more than have died in the current troubles, since the Arab Spring arrived in that ancient land. Over how many borders the troubles will spill, how many more will suffer, have their lives extinguished, taciturn Heaven only knows. And on May 20, 1768, savvy, rosy Dolley Madison (far the better politician than her brilliant hubby), was born. Exactly 94 years later, President Lincoln found time away from the abysmal war that was consuming his administration in 1862, to sign the far-reaching Homestead Act into law. May 20, 1927? Charles Lindbergh took off from Long Island, bound for Paris. Now imagine the lives, the thoughts, the contexts, the actions, the rippling after-effects, the stories represented by each of those little factoids! Doesn't that just knock you out?
The glorious lake formed by many a long-ago eruption
of the Taal Volcano on the island of Luzon.
And in the center of the lake? Vulcan Point, yet another island.
For yet another thing, in my post last month, I confessed my dire misgivings and oogly-booglies about traveling to Manila. So I did and did not, after all, wind up lost and alone, thousands of miles away from what little savoire faire I possess. I lived to tell the tale of my adventure in the Philippines - but not here. This ain't no travelogue, after all. I'll confine myself to saying that what I saw was glorious (troubling too, of course, being that the divide there between those who have and those who don't is ever so much wider and deeper there than our American chasm between rich and poor) and being with the students at Brent Internat'l School was a tremendous joy. Unlike Ann B. and ever so many others, whose love of their children brought them to writing books for young readers, that bespectacled, introverted 5th grader you see above drew pictures and devoured children's books partly as a means of avoiding my parents' offsprings, i.e. my little brothers. As a grown up greeting card illustrator, I came to children's books because they were the ones that had the pictures! Imagine my surprise when I discovered that a big part of the business of children's books was visiting schools, universally infested (in the sense that P.G. Wodehouse used the term - if you guys only knew how many hours I've drawn and painted whilst listening to Right Ho, Jeeves, about hapless Bertie Wooster and his butler) with little people! Further imagine my surprise when I found out how much FUN it was, visiting with kids - what a big fat, life-affirming, profession-affirming bonus! What it would have meant to my dorky ten-year-old self if a living, breathing writer of books had come to Mrs. Fadler's classroom at Bryant Elementary School!
Can you find me, roosting in the midst of a bunch
of swell kids at Effingham, Kansas the other day?
Of course it's a blast, answering their many questions. Drawing pictures for them. Assuring them that their teachers weren't merely persecuting them when they insisted that revision actually is a key part of the writing process. Repeat after me, I tell 'em, 'All REAL writers/ if they have any self-respect whatsoever/ work on their writing some more. / Oh, baby!' But beyond all of the theatrics (after all any REAL writer is an entertainer, too, and especially if you wish to get and keep the attention of a bunch of lively young squirts), what a large load of joy it has been all these years, talking with young Americans about the vivid, complex life behind each and every one of the famous names they're asked to remember, behind the multitudes whose names we'll never know. Asking them, wouldn't you g