When I was five years old and living in New Jersey, a TV station out of New York, WABC, (Channel 7) aired The 4:30 PM Movie every week day.
And via this 4:30 PM Movie platform, I was introduced to a multitude of cinematic treasure...
When I was five years old and living in New Jersey, a TV station out of New York, WABC, (Channel 7) aired The 4:30 PM Movie every week day.
And via this 4:30 PM Movie platform, I was introduced to a multitude of cinematic treasures. For instance, this was how I first encountered all the Planet of the Apes films, The Omega Man (1971), Soylent Green (1973), and, yes...The Green Slime (1968).
Alone among those titles The Green Slime has gained quite a reputation as something of an anti-classic. Specifically, it has earned only a lowly score of 3.7 from user/reviewers on the Internet Movie Database.
In additions, books such as The Official Razzie Movie Guide and Son of Golden Turkey Awards have pretty well mocked and eviscerated the film too.
The former resource calls the movie a "camp classic" while the latter describes The Green Slime in this fashion: "Some of the worst American actors meet some of the worst Japanese special effects in this multinational fiasco."
So that's the conventional wisdom.
The New York Times was slightly more forgiving of The Green Slime, however. Critic Howard Thompson opined that the film "opens promisingly, keeps it up for about half-an-hour but then fades badly. There is a quiet, tingling efficiency about these early scenes and very little nonsense. The trick photography and stratospheric effects are neat and clean. And the plot itself isn't half bad for this kind of operation."
I had not watched The Green Slime since 1976 or thereabouts, but when a dear friend of mine named Robert offered to lend me his DVD of the movie (recently released thanks to the exquisite Warner Archive), I jumped at the opportunity to screen the film again and re-assess.
So, today... The Green Slime?
Well, first off, I believe The New York Times' Howard Thompson was actually more accurate in assessing and describing the film's strengths and weaknesses than the professional and amateur mockers have been.
In 2011, the film's special effects have undeniably aged poorly, and the actual Green Slime monsters probably never looked particularly convincing, let alone scary, to adult eyes. Not even back in '69. It wasn't really until Ridley Scott's Alien (1979), perhaps, that space monsters were suitably scary on-screen, and The Green Slime looks almost prehistoric by comparison.
I might also add that the science as presented in the film seems ludicrous. And that the acting is -- termed politely -- stiff. Blow dried might be a better description.
If we're keeping count, one might note that much of the dialogue is risible...and thus humorous. The view of scientists is pretty cliched too, with one professor's irresponsibility walking hand-in-hand with his idiocy.
And last but not least, the overt swinging sixties vibe (down to the awesome theme song and scantily clad astronaut ladies drinking champagne...) readily encourages the prevalent "so bad that it's good" interpretation of the film.
So please, take all these negative points as absolute givens if you decide to watch The Green Slime. Don't say I didn't warn you, okay?
But playing devil's advocate now, this Japanese production filmed at Toei is also -- to my surprise -- constructed on some pretty sturdy film craft. The film's director, Kinji Fukasaku (1930 - 2003) is well-known as a favorite of Quentin Tarantino's and even in The Green Slime, one can detect the reason behind his admiration.
No, this isn't The Yakuza Papers (1971) or Battle Royale (2000) -- not by a long shot -- yet Fukasaku is the same artist; one extraordinarily gifted with visuals, especially talented at selecting the very right shot at the right moment.
The upshot is that a producer could actually mount a shot-for-shot remake of The Green Slime in Hollywood today -- featuring big-name actors and upgraded special effects -- and it would probably be pretty damned good.