Media

Careerbuilder.com uses video content as a tool to unite job seekers with hiring companies. Having recently begun offering video content on their mobile platform, the Chicago-based site has almost doubled their video views, says Patrick M...
Careerbuilder.com uses video content as a tool to unite job seekers with hiring companies. Having recently begun offering video content on their mobile platform, the Chicago-based site has almost doubled their video views, says Patrick Moye, director of design, video and branding for Careerbuilder.com Careerbuilder.com, the largest online employment website in the United States, produces videos for their clients and recommends that companies focus on telling stories about the types of positions for which they wish to hire. “Every company out there has a unique story to tell. Every company’s different. Everybody’s got something special.” Moye says. “And that doesn’t always come across in just a job posting or just content on a website. And so what video allows you to do is really articulate that story and tell a much more compelling message to those job seekers so that the right types of people end up applying for those clients.” Currently, about 3,000 different companies are using video on Careerbuilder.com. We interviewed Moye last week at the Brightcove global customer conference in Boston.
29 minutes ago
If you pay to have something distributed, then it's paid media. But if someone else distributes it for you, then it's earned media. That's the basic definition of earned media, a term that earned its place in the pantheon of marketing bu...
If you pay to have something distributed, then it's paid media. But if someone else distributes it for you, then it's earned media. That's the basic definition of earned media, a term that earned its place in the pantheon of marketing buzzwords, though if this chart is to be believed, it is in the process of unearning it.
about 2 hours ago
As Upfront week began I couldn't help but wonder if the annual extravaganza of presentations and parties has any real value anymore. Given that everyone attending them already knows almost everything that will be announced, why would the...
As Upfront week began I couldn't help but wonder if the annual extravaganza of presentations and parties has any real value anymore. Given that everyone attending them already knows almost everything that will be announced, why would the networks want to continue spending vast fortunes to produce them? Some observers think the week's events should be discontinued, and I have agreed with them of late. But as I moved through the week it once again became clear that when it comes to promoting a network's accomplishments and generating excitement for its future programs there is still nothing quite like the Upfront experience, even if it does feel somewhat outdated. Could we exist without it? Yes. Do we want to do so? That depends on whom you ask.
about 2 hours ago
There can be little doubt that of the millions of file-sharers using The Pirate Bay today, only a relatively small proportion will be aware of just how public their activities are. At any given time there are dozens of organizations moni...
There can be little doubt that of the millions of file-sharers using The Pirate Bay today, only a relatively small proportion will be aware of just how public their activities are. At any given time there are dozens of organizations monitoring torrent swarms, sucking up and storing IP addresses, file hashes and timestamps for all kinds of reasons, from genuine research and “six strikes” educational programs, to the preparation of lawsuits. However, even those aware of surveillance may be surprised at the nature of the monitoring currently being carried out by artist Nicolas Maigret and software developer Brendan Howell. Together they have created The Pirate Cinema, a BitTorrent-watching mechanism that turns file-sharers’ activities and geographic locations into an art installation. Currently displayed at the Sight + Sound Festival in Canada, The Pirate Cinema manifests itself as a large control room featuring an array of computers coupled to a trio of over-sized screens. The installation is powered by The Pirate Bay’s top 100 most downloaded torrents and aims to offer a window into the global nature of P2P networks and the viral aspects of torrent distribution. “An aspect of the concept was to reuse the surveillance systems used by corporations, ISP’s and governments, for other purposes,” Maigret told TorrentFreak. “On the other hand, the idea was also to monitor the usages or activity of people on a large scale, and to capture the vivid activity of the communities involved in sharing practices. Lastly, I really wanted to consider this ongoing activity as a live infinite Mashup – a snapshot of global file disseminations.” With developer Brendan Howell, the project was constructed in Python using Libtorrent. “The idea was to use only the necessary functions – a few lines of code, and to build our tool around it,” Maigret explains. “Then we developed all the monitoring parts and later the decoding process using Gstreamer.” The installation can operate in two modes. The first constantly downloads the most popular torrents from TPB and displays fragments of them on screen. The setup can involve as many as five computers, each monitoring the site for different kinds of files for a few minutes before gathering fresh input. The second is a ‘live performance’ version which relies on files such as movies and music being selected by the installation’s operator or ‘performer’. The downloaded content is then played like an instrument and therefore may have cultural, political or economic context, the creators explain. However, in addition to the playback of segments of media, each screen presents additional information, including the source and destination IP addresses of the computers sharing the content being displayed. This provides a unique visualization of activity between BitTorrent users, wherever they are in the world. “BitTorrent was a deliberate choice for many reasons. First of all it’s really a Peer-to-Peer architecture and that’s important even symbolically – people/peers are at both sides of each action,” says Maigret. “Also BitTorrent is not only about mainstream medias, but theoretically open to all kinds of files and content. In a way, the Pirate Cinema reveals some potentials of this peer-based technical architecture.” The installation also uses the nature of BitTorrent sharing – pieces of fragmented video being shunted around peers in a swarm – to create corresponding visuals. “This fragmentation loosens the exchanges between different recipients. A file can then be recomposed sample by sample until it is complete, from snippets emanating from separate users and in a disorderly manner. From a cinematic perspective this preliminary fragmentation of the media is also a fragmentation of the film material and of the narration. “It create
about 2 hours ago
NBC has added another show in its summer lineup: Siberia, a drama about contestants in a reality show gone wrong. Set to premiere July 1 at 10 p.m., Siberia is reportedly a spooky adventure thriller reminiscent of Lost, set in a remote S...
NBC has added another show in its summer lineup: Siberia, a drama about contestants in a reality show gone wrong. Set to premiere July 1 at 10 p.m., Siberia is reportedly a spooky adventure thriller reminiscent of Lost, set in a remote Siberian territory. Jeff Bader, NBC Entertainment's president of program planning, strategy, and research, believes Siberia's combination of survival drama and mystery will compel viewers. "We believe a scripted series that offers an insightful behind-the-scenes view of how a reality concept comes together—especially when things don't go according to plan—will connect with our audience in a very satisfying way," Bader told The Hollywood Reporter. The Hollywood Reporter offers a more detailed synopsis: Sixteen contestants descend on Siberia's Tunguska not knowing the land's mysterious past (it was hit with a meteorite 100 years prior). When a contestant is badly injured and no help arrives, the contestants realize that strange occurrences are not part of the reality show. With their safety threatened, the contestants are forced to work together to survive. The networks are looking to bulk up summer programming with scripted series following last year's underperforming round of reality shows. Siberia joins the summer schedule along with crime procedural Crossing Lines and the dramedy Camp.
about 2 hours ago
Robin Good's insight:A free online course from YouTube to help any video publisher maximize the use of the tools and features available in the new YouTube One Page channel experience. The course starts on June 3rd.This is the course prog...
Robin Good's insight:A free online course from YouTube to help any video publisher maximize the use of the tools and features available in the new YouTube One Page channel experience. The course starts on June 3rd.This is the course program:Week 1Lesson 1: Step up Your GameLesson 2: What Makes a Channel TickLesson 3: Land Your BrandWeek 2Lesson 4: Rock Solid Building BlocksLesson 5: Rack and RollLesson 6: Bringing It All TogetherPost-course assessmentSign up for the course: http://creatoracademy.withgoogle.comThe forum of the course will open on May 29th and the course materials (links to lessons) will go live on June 3.Start prepping for the course now here:See what's in store for you in Week 1 - Watch the trailer.Take the pre-course SURVEY!Check out the Playbook! There are some great tools and resources to give you a head start.Find out more: https://creatoracademy.withgoogle.com/https://creatoracademy.withgoogle.com/previewFAQ: https://creatoracademy.withgoogle.com/faqCourse info: https://creatoracademy.withgoogle.com/courseSee it on Scoop.it, via Online Video Publishing
about 4 hours ago
iframe.twitter-tweet { margin: 40px auto !important; } Have you ever tried tweeting at a major news organization? How often have they responded or retweeted? Probably not often — and that corresponds to the findings offered by a GW/Pew s...
iframe.twitter-tweet { margin: 40px auto !important; } Have you ever tried tweeting at a major news organization? How often have they responded or retweeted? Probably not often — and that corresponds to the findings offered by a GW/Pew study of 13 major news organizations which found “limited use of the institution’s public Twitter identity, one that generally takes less advantage of the interactive and reportorial nature of the Twitter.” So when I went to The Miami Herald as part of a much larger project looking at newsrooms and news buildings, I was pleasantly surprised to find it, like some other newspapers, has actual people manning Twitter — breaking news “by hand,” interacting with readers, and having a genuine public conversation over the main @miamiherald Twitter account, with its 98,000 followers. (Aside from Twitter, The Miami Herald is making ample use of its Facebook account, posting new stories once an hour and relying on feedback from the 46,000-plus audience for stories and tips — and as an extension of the Public Insight Network pioneered by American Public Radio.) In Miami, Twitter takes on two distinct modes during the day — in the morning as headline service and in the afternoon as conversation. “In the morning, we try to get the audience between 6 and 8 a.m. on Twitter and on the website,” says continuous news editor/day editor Jeff Kleinman, who says he wakes up at 4:30 to begin monitoring the news. Kleinman uses Twitter to break news — whether or not it’s on the paper’s website. “We want to be first,” he noted, as he quickly dashed off a tweet about a boat fire in front of me. More often then not, though, there will be a link to a short two-paragraph story begun on the website. But not always. Miami still remains a vibrant and competitive news marketplace with three local TV stations chasing breaking news, the Sun Sentinel, and even blogs getting in on niche action. So in the breaking-news morning environment, “If something happens, I’ll put it up on Twitter, I’ll write or have the reporter write two quick grafs on the homepage with italics that say ‘More to come,’” he said. “We’re constantly updating over Twitter and on the website as news comes in.” There’s less time for conversation, but Kleinman is especially careful to do one thing: retweet what his reporters are offering from the field to the wider audience. “We’re not there, but they are, and Twitter is often the fastest way to say what’s going on,” he noted. So while the reporters have their own followings, their work gets amplified to a larger audience. Take this example of breaking news: BREAKING: RT @waltermichot: Neighbors gather at scene of one shot and transported 5644 NW 4th Ave. twitter.com/WalterMichot/s… — The Miami Herald (@MiamiHerald) May 2, 2013 Walter Michot, a former photographer who prowls the city with an iPhone (another story), has frequently broken news on his Twitter account, which has then been retweeted by @miamiherald. The mantra in the newsroom is to tweet, write, tweet, write, perhaps blog, and then write a takeout for the web and perhaps the paper. Later on in the afternoon, Twitter and Facebook take on a more conversational tone. Luisa Yanez runs the @miamiherald account then. She focuses on three key things: curating incoming reporters’ work and retweeting it — adding additional substance if necessary; offering updates from the website; and responding to readers. The Miami Herald also offers updates about traffic and weather “as a public service and because people want to know,” Kleinman said, so followers might see something like this. #Weather alert: Severe thunderstorm warning issued for the #Keys until 1:30 p.m. — The Miami Herald (@MiamiHerald) May 2, 2013 And then Yanez will retweet a reader who happens to chime in with a photo, in th
about 5 hours ago
The Daily Mail carries a front page picture today of Boris Johnson, London's mayor, with a caption-headline saying: "Boris and the lovechild he now can't keep secret."Inside is a full-page article explaining why the judges agreed that th...
The Daily Mail carries a front page picture today of Boris Johnson, London's mayor, with a caption-headline saying: "Boris and the lovechild he now can't keep secret."Inside is a full-page article explaining why the judges agreed that the secret should be revealed. Here's the intro:"The public does have a right to know about Boris Johnson's philandering past, the appeal court confirmed.That succinct sentence is a true reflection of the judgment, which supported the original ruling by a high court judge, Mrs Justice Nicola Davies, that the Mail was justified in publishing stories about Johnson's illegitimate child because his extramarital affairs called into question his fitness for public office.Indeed, the Master of the Rolls, Lord Justice Dyson, was so convinced by this argument that he repeated it in the concluding paragraph of his judgment. He said: "It is not in dispute that the legitimate public interest in the father's character is an important factor to be weighed in the balance against the claimant's expectation of privacy. The core information in this story, namely that the father had an adulterous affair with the mother, deceiving both his wife and the mother's partner and that the claimant, born about nine months later, was likely to be the father's child, was a public interest matter which the electorate was entitled to know when considering his fitness for high public office."The two judges sitting with him agreed. So we now know that Johnson's affair with an art consultant, Helen Macintyre, resulted in the birth of a girl named Stephanie in November 2009. (Well, we knew it long ago, but this judgment confirms that the paper is legally ok to publish the fact).At the original trial, the Mail's publishers, Associated Newspapers, were ordered to pay £15,000 for publishing photographs of Stephanie, thereby breaching her privacy.But the child's legal backers were required to pay 80% of the Mail's legal costs, which were estimated at £200,000.Macintyre appealed against the decision not to award her damages because the Mail published details of her affair with Johnson and about the birth of their child. It is that appeal the court rejected.Given the fact that four experienced judges have unequivocally supported the paper's public interest justification for running its story, it would be odd for any journalist to question the merits of their argument. I certainly don't intend to do so. What strikes me about the case is that it tends to prove that politicians of a certain stripe and character can rise above the embarrassment, as did two past Tory philanders, Alan Clark and Steven Norris. So it probably won't matter at all to Johnson's future electoral chances - whenever and wherever he stands - because his philandering appears not to bother people over much. The Mail may well feel that it should have an impact on voters' decision-making and, doubtless, should the Tories dare to elect Johnson as party leader (and potential prime minister) the paper would warn their readers to beware of Boris.That scenario is so full of journalistically sexy possibilities, one can hardly wait.Daily MailBoris JohnsonPrivacy & the mediaPrivacyMedia lawPress freedomAssociated NewspapersLondonMayoral electionsConservativesRoy Greensladeguardian.co.uk © 2013 Guardian News and Media Limited or its affiliated companies. All rights reserved. | Use of this content is subject to our Terms & Conditions | More Feeds
about 7 hours ago
[photo by OZinOH] I wanted to share a list of cool, free multimedia tools from a talk I presented last night at Florida International University during a meeting of the fledgling Hacks/Hackers chapter in Miami. I also got to help with so...
[photo by OZinOH] I wanted to share a list of cool, free multimedia tools from a talk I presented last night at Florida International University during a meeting of the fledgling Hacks/Hackers chapter in Miami. I also got to help with some “TOOL tools,” as local journohacker and Hacks/Hackers co-organizer Rebekah Monson put it, during an impromptu tire change in a rainstorm. So without further ado, here’s a PDF of the handout, as well as a list below. It’s not an exhaustive list but just a sampling of my favorites: CHARTS/DATA VISUALIZATION Datawrapper– datawrapper.de Embeddable, easy to make charts (line, pie, etc.) that are also downloadable for print. (NOTE: Non-modern browsers display a static image version of the chart) Infogr.am – infogr.am Gorgeous data charts with a cool layout tool to add photos, text, multiple charts and more. Pro account lets you download files. Tableizer – tableizer.journalistopia.com Quickly turns spreadsheets into HTML tables you can put online. Built by yours truly! Google MyMaps – maps.google.com (Click “My Places>Create Map”) Google has beefed up its map creation tool with shapes, custom points and more. Google Fusion Tables – drive.google.com (Go to Create>Connect More Apps) Create interactive maps using shapefiles and robust data sets. Google Forms – drive.google.com (Go to Create>Form) Create forms to get from users and collect it in an organized spreadsheet. PHOTO & VIDEO Zeega – zeega.com Animated GIFs meet funky photo galleries. Includes audio, video and text editing. Pixlr – pixlr.com Excellent in-browser photo editor, perfect for wide newsroom use. Has advanced and easy modes, layers and more. GIMP – gimp.org The leading free, open-source photo editing tool similar to Photoshop. TubeChop – tubechop.com Point readers to a specific chunk of a YouTube video. ThingLink – thinglink.com Post photos with tags containg text, other photos, videos, music and more. PhotoPeach – photopeach.com A quick and free way to make photo slideshows to music. $3/month lets you upload audio. ClipConverter or Easy YouTube Downloader – clipconverter.cc, http://is.gd/xK5MDs Used to grab YouTube video source files. Useful for transmitting video from the field via YouTube. ClipConverter can also be used as a general purpose file conversion tool. Live streaming: UStream.TV, Livestream.com, YouTube.com Excellent live streaming services that have embeddable players. Each have different revenue models and setups.  Qik – qik.com A service that allows you to easily stream live video from many mobile devices. TIMELINES TimelineJS – timeline.verite.co An embeddable timeline app with a slideshow-like presentation. VuVox – vuvox.com The collage tool creates stunning multimedia timelines that let you embed slideshows, video and more. Dipity – dipity.com An embeddable timeline app great for lots of detailed data points. OTHER TOOLS RebelMouse – rebelmouse.com Display a variety of live social feeds in an attractive layout. Great for breaking news. Storify – storify.com Embed all sorts of content: social posts, photos, videos and much more in a vertical timeline. Great for breaking news or topical coverage. AutoHotKey – autohotkey.com End dumb, repetitive typing by creating macros that will run in any program. I have a tutorial posted here on how to use this in a newsroom. Audacity – audacity.sourceforge.net A powerful, free audio-editing suite used by many multimedia producers. Spotify Embeds – developer.spotify.com/technologies/spotify-play-button/ Embed commercial songs and playlists. Use the smaller iframe for a compact display. EasyPolls & MicroPoll– easypolls.net, micropoll.com Create embeddable polls for your site with no hassle. Inkscape – inkscape.org A nice, open-source vector editing tool similar to Adobe Illustrator. FireShot - addons.mozilla.org/en-US/firefox/addon/5648 Lets you easily create, edit and add notes to scre
about 8 hours ago
When BitTorrent Inc. announced its plan to make uTorrent ad-supported there was a small user revolt. The people complaining were mostly annoyed that there would be no option to disable the ads. Luckily, BitTorrent listened to the feedba...
When BitTorrent Inc. announced its plan to make uTorrent ad-supported there was a small user revolt. The people complaining were mostly annoyed that there would be no option to disable the ads. Luckily, BitTorrent listened to the feedback and quickly decided that users would indeed get a chance to opt-out. However, new stats revealed by the San Francisco company show that there are plenty of users who do not disable the ads displayed in the top bar. In fact, billions of ad impressions have been served since the change was introduced late last year. According to BitTorrent Inc. the uTorrent and BitTorrent mainline clients are currently good for six billion ad displays a month. Most of these come from uTorrent, which has by far the largest user base of the two. uTorrent Ad Based on the stats reported by BitTorrent, the uTorrent client serves more than five billion ads every month. This is quite an impressive figure and more than most smaller advertising companies serve on their entire network. A quick inspection of the type of ads run on the network reveals that poker software and PC performance ‘enhancing’ apps are the most advertised products. This may of course differ based on the country people download from. Some of the advertised products are downloaded by thousands of people a day. A product called “SpeedUpMyComputer” has more than 45,000 seeders and hundreds of active downloaders at the time of writing. Thus far we haven’t been able to spot any ads for premium brands, or plugs for entertainment industry companies. This might be the next challenge for BitTorrent, because there’s certainly an audience to cater to. As we reported earlier not all ads are allowed on the network. For example, BitTorrent does not accept ads for torrent-friendly VPN providers as these are considered to be “high risk” for some reason. All in all, it is safe to assume that the ads are providing a healthy new revenue stream for the company. Over the past years the bulk of the revenue came from toolbar installs but with the current numbers the ads have the potential to add a few million to that each year. TorrentFreak asked BitTorrent to comment on the dazzling numbers and the company’s outlook for the future, but we received no response. Source: uTorrent Serves Over 5 Billion Ads Per Month
about 8 hours ago