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An Australian train safety campaign called "Dumb Ways to Die" is winning big at this week's Cannes Advertising Festival. Might such a jokey style persuade those who cannot help texting at the wheel? Originally posted at Te...
An Australian train safety campaign called "Dumb Ways to Die" is winning big at this week's Cannes Advertising Festival. Might such a jokey style persuade those who cannot help texting at the wheel? Originally posted at Technically Incorrect
about 2 hours ago
Joe Michaels, who has worked at the show since 1989 and has held the director chair for 18 years, was given a new job last week that portends more change to come.
Joe Michaels, who has worked at the show since 1989 and has held the director chair for 18 years, was given a new job last week that portends more change to come.
about 2 hours ago
If changes to the city's strict transportation laws are implemented, the San Francisco-based black car service gets to start sending out cars in Miami.
If changes to the city's strict transportation laws are implemented, the San Francisco-based black car service gets to start sending out cars in Miami.
about 3 hours ago
We posted a piece this morning on one way The Times of London tried, without much success, to get its (hard-paywalled) content noticed by the non-subscribing world. The paper’s Ben Whitelaw just posted about another. The idea here ...
We posted a piece this morning on one way The Times of London tried, without much success, to get its (hard-paywalled) content noticed by the non-subscribing world. The paper’s Ben Whitelaw just posted about another. The idea here is that, with the paywall, the newspaper’s journalists have to do extra-heavy duty promoting stories in social media, because the general web audience can’t be counted on to do it on their behalf. So The Times built a simple tool that, when an important story is published, sends an email to Times reporters asking them to please retweet it: Owning an story can be hard on social media when you operate a subscription model…We thought about how we could change this and realised that our best weapon was our journalists, each with their own network of followers and fans. But we were asking a lot to expect them to keep track of stories breaking on social media (especially when on deadline) so we knew we needed a way of making it easy for them… [Developer Alex Muller] then created an HTML template to display a single tweet inside an email, and used Twitter’s Web Intents to add links to simplify the process for journalists and others to retweet — one click in the email, and then one confirmation click on twitter.com to complete the action… The result of using ‘The retweeter’ is that our big stories reach more people. For example, The Sunday Times Insight team had a big story on lobbying in Westminster which was retweeted by 30 people, most of whom were Sunday Times staff. Twitter analytics showed us that this tweet had reach three times greater than our usual tweets. Bravo for figuring out a tool to simplify the process, although (a) 30 retweets for the lead Page 1 story for The Sunday Times still seems a little underwhelming, and (b) I imagine promotion by your own journalists, while valuable, can only go so far when your story itself is stuck behind a paywall. Today's front page: Top Tory in new Lobbygate row http://t.co/3gZHhosFXv #WestminsterforSale pic.twitter.com/0wqf5OuiqK — The Sunday Times (@thesundaytimes) June 9, 2013
about 4 hours ago
Paul Godfrey has been CEO of Canada’s largest newspaper chain, the Postmedia Network, for three years. In that time he’s cut more than 2,000 jobs, made two-thirds of content replicable across papers, hiked the cost of subscri...
Paul Godfrey has been CEO of Canada’s largest newspaper chain, the Postmedia Network, for three years. In that time he’s cut more than 2,000 jobs, made two-thirds of content replicable across papers, hiked the cost of subscriptions, and rejiggered the business model toward earning roughly 50 percent of revenue from ads and 50 percent from circulation. In Canada’s Marketing magazine, he discusses his plans for his next three years in charge. “We will continue over the next three years to downsize the legacy costs [and] outsource where we can,” said Godfrey. “We are going to be a much smaller revenue company and a very much smaller expense company by living with a smaller number of staffers and people doing more. Hopefully we’ll be a more profitable company as a result.” Postmedia, which owns what used to be the Canwest chain of Canadian newspapers, owns major papers in Vancouver, Calgary, Ottawa, and other Canadian cities, along with the National Post.
about 4 hours ago
The New Republic‘s Isaac Chotiner was hellbent on asking the the tough questions when he interviewed Politico founders John F. Harris and Jim VandeHei. There’s a feisty exchange about the work environment at Politico, especia...
The New Republic‘s Isaac Chotiner was hellbent on asking the the tough questions when he interviewed Politico founders John F. Harris and Jim VandeHei. There’s a feisty exchange about the work environment at Politico, especially for their female employees, but the Beltway gentlemen also get into the site’s role in the broader media landscape, as well as where they plan to head with their content. IC: Is there a story that you are most proud of? JH: I think of us more in terms of reporters and our young staff, and I think about that in terms of the broader business. It’s crumbling! Carrie Budoff Brown came to us from the Philly Inquirer. It was a shell. The Washington Post is still a strong newspaper, but no one there would say it is providing the number of opportunities for young journalists that it was able to do when I was there. IC: Does that worry you, about newspapers dying? JH: Sure, and there are lots of implications there about the future: Who fills in the foreign coverage and local news as they retreat? I’m proud of the role we play in answering questions about the future of our own field. But let’s face it, most stories on any given day are perishable. IC: This interview will last. JH: I agree. This will be one for the ages.
about 4 hours ago
The peer-to-peer housing site once again touts its positive economic impact, but this time in a city that has given it the green light.
The peer-to-peer housing site once again touts its positive economic impact, but this time in a city that has given it the green light.
about 5 hours ago
Google wields a big sheriff's badge when it tells online snake-oil salesmen to peddle their wares elsewhere.
Google wields a big sheriff's badge when it tells online snake-oil salesmen to peddle their wares elsewhere.
about 5 hours ago
Mark Coatney, a former journalist who helped media companies understand Tumblr, bids farewell to coworkers in a sentimental post.
Mark Coatney, a former journalist who helped media companies understand Tumblr, bids farewell to coworkers in a sentimental post.
about 5 hours ago
Russia’s main social networking site vKontakte is an absolutely massive operation. It is the second most visited site in Russia and the 19th most popular site on the planet. The site, which has around 40,000,000 users every day, is...
Russia’s main social networking site vKontakte is an absolutely massive operation. It is the second most visited site in Russia and the 19th most popular site on the planet. The site, which has around 40,000,000 users every day, is also a huge thorn in the side of the recording industry. VKontakte allows its users to upload music to their accounts for anyone to play and as a result the site has become one of the largest repositories of unlicensed music anywhere in the world. The site’s operators insist that the responsibility for uploading infringing music lies with its users but music industry groups like IFPI see that as shifting the blame. IFPI insist that something must be done to stop businesses being built on the back of unlicensed content. They may soon get their wish. As reported yesterday, Russian-hosted services – vKontakte included – will soon face a new legal environment due to a shifting of responsibility for illegal uploads. Following the approval of a new law in the State Duma on Friday, removing infringing content swiftly will soon be a priority matter if services don’t wish to find themselves blocked at the ISP level. Although it has yet to become law, interesting things started to happen at vKontakte just before the bill received its majority vote on Friday. Site users began to notice that searches for popular artists, which at one time were extremely easy to find, started to throw up notices that the content had been removed. The scale of the takedowns become apparent when searches for popular artists such as Rihanna, Adele, Beyonce, Amy Winehouse and Coldplay all began to draw blanks. The user backlash was swift and vocal, with some complaining that their entire collections had been deleted. “We always removed audio and video recordings when we were served the legitimate complaints from copyright holders, it’s just now such applications have increased,” vKontakte spokesman Georgy Lobushkin said in a statement. The problem stems from complaints sent by the major recording labels. Universal Music told Russia’s Vedomosti that a letter had been sent to vKontakte via IFPI and the Goltsblat BLP lawfirm demanding the takedown of its content. While Sony and Warner have declined to comment, it seems almost certain that this is a coordinated action by the labels. “We’re not going to remove all the music at all, or just Russian or foreign music, or just rock or just pop music. We will remove the specific compositions of certain artists. Most of the audio will remain on the site,” said Lobushkin for vKontakte. “The musicians who are not afraid to share their art for free, will not go away. There is a lot of music in this world, and no one can impose their preferences or forbid people from listening to something.” In the meantime, however, users of vKontakte seem intent on preserving their collections by any means possible. There are reports in the Russian media that there are efforts underway to impose new naming conventions on files so that they won’t be marked for deletion by copyright holders. The group Coldplay, for example, are now known as “Cold Game”, Selena Gomez has been dubbed “Sweet Dwarf” and Maroon 5 are to be called “5 Dudes”. The effort seems unlikely to succeed, but there are signs that users may still get access to music via vKontakte if things move in the right direction. Unlike previous copyright holder actions against Grokster and more recently LimeWire, there doesn’t appear to be any desire to crush vKontakte with expensive lawsuits. In fact, all the signs suggest that the labels want to do business with the social networking giant. “We would like to see VKontakte agree with us about the legal ways of using music,” says Universal Music Russia CEO Dmitry Konnov. “Now this is the first step. We hope that it will eventually lead us to the negotiating ta
about 5 hours ago