This week's column by Ctein
While slaving away in the darkroom to finish the printing for the last, blow-out TOP dye transfer print sale*, I started musing on how many hours I've spent doing dye transfer, total. I can figure that out....
This week's column by Ctein
While slaving away in the darkroom to finish the printing for the last, blow-out TOP dye transfer print sale*, I started musing on how many hours I've spent doing dye transfer, total. I can figure that out. By the time I started doing dye transfer printing in 1975, I was doing pretty good record-keeping. (Figuring out how much time I've spent on all photographic printing and film processing would be more difficult, because I put in a lot of time before I started keeping detailed records. A project for another day.)
First question for myself: how many photographs have I printed as dye transfers? My own portfolio totals 300. Here's the very first photograph I ever made a dye transfer print of:
Off the cuff, I don't have quite as precise a number for the printing I've done for others. I could figure it out by digging through a bunch of disconnected records, but that'd be work. I'm sure it's at least 200 photographs. I'd be awfully surprised if it was 300. So let's call it 250, which means I've printed a total of 550 photographs (+/– 10%).
The time it takes to print a photograph as a dye transfer varies a lot. Sometimes it's been as little as four hours of darkroom time until I'm ready to pull a finished print. Sometimes it's been a dozen. 6–7 hours sounds about right, for the average. Give or take, oh say, an hour. Multiplied by the number of photographs, I'm looking at 3,500 hours (+/– 20%) of darkroom time.
That's just until I'm ready to make finished prints. Rarely did I make only one print of a photograph, either for myself or for clients. Again, no precise numbers unless I want to dig through too many records. I settled into the habit of making four prints of my photographs (one for the portfolio and three for sale). Clients rarely ordered fewer than two prints.
In my early days, I made fewer than four prints; conversely, sometimes clients would want a lot more than two prints. Plus, there are the times when I'd sell all three of my photograph's prints and make more. I'll guess 3.5 finished prints, average, for each photograph I've printed. (That doesn't count the TOP sales; we'll get to those.) Multiplying up, let's call it 1,900 prints. So, once I've got to the point of making those finished prints, how much time do they take? Well, the darkroom time isn't too bad, typically half an hour per print, and that's pretty reliable. Rounded off, I'm up to 4,500 hours of darkroom time.
Ah, but, there's the spotting and finishing. As I said in the footnote, those take up a lot more time than printing. This really varies from photograph the photograph; some require essentially none of this and others take all day. On average, it's a solid hour and change, so there's maybe 2,200 hours of non-darkroom time.
Now, what about those TOP print sales? They're exceptional. I spend a lot more time getting to the point of being able to make a first print, because I want the printing to be as easy as possible and exactly right, and I also make multiple sets of matrices, for when I screw one set up in the course of printing the run. So, maybe 100 hours of darkroom time.
Smaller prints take a lot less time to spot and finish than big ones and Mike and I were careful to choose the prints in our previous sales to be ones that I knew would take very little spotting and finishing time. That's how I could afford to make the prices so low. I know I spent less than 40 minutes printing and finishing each of the 1,000 small dye transfer prints I sold through TOP. Let's call it 500 hours of darkroom time, 200 hours of finishing time. Total so far: 5,000 hours in the darkroom, 2,400 hours out.
I've omitted two things—the very end and the very beginning of my dye transfer career. The very end is, of course, the TOP sale I'm currently working on. Like the earlier sales, it's atypical, but in different ways. 150–200 hours of darkroom time (that includes the considerable pre-sale prep) and an equal amo