Photography Tips And Tutorials

If you’re looking to get into wedding photography or have just started out in the industry, you’re probably aware of how hectic a wedding photo shoot can be. Learning the ropes involves a lot of trial and error, which I can attest to. This simple step-by-step plan should eliminate a fair amount of hassle and ensure you enjoy your photo shoots as much as the happy couple enjoy their big day. by Lisa Gill Preparation Meeting The first step is to have an initial face-to-face meeting with the bride and groom-to-be, preferably at your studio. This is your chance to gather as many details about the wedding as possible. As a starting point, I recommend the couple are given a questionnaire to fill in, which should answer the following questions: Details of the venue and when the wedding will take place The bride and groom’s contact details The wedding planner’s details (if they have booked one) An additional contact for the day, such as the best man Where the bride and groom will be getting ready How many attendees will be present It’s also vital that you note down detailed timings for the wedding day itself – there’s no point preparing for a certain aspect of the day if you won’t have enough time to do your thing. This initial meeting is also a good opportunity to request time for group shots and bride & groom shots as part of the wedding itinerary as this is an aspect often not considered by planners. It’s also the photographer’s chance to advise the couple on what can realistically be done in the time frame provided. Preparation meetings can be arranged a year or more in advance of the big event, leaving both parties with plenty of time to agree on any changes to the original plan. Pre Wedding Shoot Not only will a pre wedding shoot give the bride and groom a taste of things to come, it’s the photographer’s opportunity to get to know the couple and build some rapport. Understandably, many couples will have some nerves around getting their photos taken and now’s your chance to allay any fears they may have. I recommend taking them out and about for this meeting – it’s far more relaxing than being in a studio under the lights. Once you’ve moved between your planned locations, taking various shots, it’s time to share any tips that the couple should be aware of. Things such as where to turn in relation to the sunlight or how to pose for certain shots. No detail is too small, as these can make all the difference to creating those striking reportage photos. by Lisa Gill Visiting the Venue In the run up to the wedding day it’s definitely worth checking out the venue, even if it’s one you’re already familiar with. Shooting at a venue you’ve previously worked at in a different season brings certain considerations – for instance, the sun may be higher or lower and the nearby flowers and trees will look different. Your primary focus on this visit however should be to establish where you’ll be taking group shots, where the sun will be in relation to the building and finding alternative locations just in case the weather tries to rain on your parade. In addition, select four to five locations for the bride and groom shots, as well as a wet weather plan for those too. One Week Before the Wedding It’s always a good idea to have a final chat with the bride and groom around a week before the wedding to make sure no details have changed. I learnt this the hard way – a groom once decided to change where he was getting ready and didn’t remember to tell us. Needless to say it caused much unnecessary panic! Also, you’ll often find a quick catch-up is appreciated by the couple – it assures them and shows that you have everything under control. The Day Before the Wedding Now that your plans are set in place, all you need to do is conduct some spot checks. I always ensure that: batteries are on charge for all the cameras, including spares extra disposable batteries are packed for my back-up lighting (such as speed lights) just in case there’s a pr

People like to take pictures of the sky — fluffy fair-weather clouds, sunsets shot with pinks and golds, great expanses of clear blue. But sometimes foul-weather skies can be beautiful in their own way. A prime example is this picture of a magnificent storm brewing off the coast of Riva Levante in Liguria, Italy: Ominous storm with waterspout touches down off the Italian Riviera (Imgur) The photo, captured by Gian Paolo Chiesi, depicts a weather phenomenon known as a waterspout, a tornado-like formation that occurs over water. Above the waterspout, many different types clouds tower overhead, looking dark and ominous while bits of blue sky try to peek through behind. Chiesi used a Singh-Ray Reverse filter with a 2-stop density on his camera. Go to full article: Interesting Photo of the Day: Ominous Storm Approaches What are your thoughts on this article? Join the discussion on Facebook or Google+ Article from: PictureCorrect Photography Tips

Topaz’s new tool Clarity is designed to help you create compelling and powerful images by intelligently enhancing contrast and clarity without artifacts or halos. It can manipulate your micro, mid-tone and overall contrast while maintaining the “natural feeling” that is best to keep. Discounted 40% off until the end of the month for the launch sale, simply remember to use the voucher code CLARITYNEW at checkout. Now available here: Topaz Clarity New: Topaz Clarity (Click to Learn More) Features introduced in Topaz Clarity: Selective Contrast Control. With Clarity, we have developed a cutting-edge process of selecting specific contrast variations in your original image, allowing you to quickly target and then increase or decrease the contrast and clarity in that specific variation. Breakthrough Halo-Free Algorithm. Boost contrast and clarity without emphasizing transitions between light and dark areas, eliminating the common problem of halos, noise and artifacts. Advanced Hue/Saturation/Luminance Technology. Using IntelliColor technology, you can easily enhance your image with the HSL filter, getting stronger, yet more natural HSL adjustments. Re-Imagined Masking Workflow. The masking module, now attached to each adjust- ment tab contains a comprehensive set of tools including an edge-aware brush, gradi- ent mask, smart feather tool, color aware tool and more. User Interface Design. With Clarity, we have continued to develop a cleaner, more modern and efficient interface to improve usability, workflow and overall aesthetics. If your interested, the launch sale can be found here: Topaz Lab’s New Clarity Tool Go to full article: Released Today: Topaz Clarity Advanced Contrast Adjustment What are your thoughts on this article? Join the discussion on Facebook or Google+ Article from: PictureCorrect Photography Tips

Have you ever wondered how a giant tower seems to appear smaller in front of a person, or how you can make an object seem closer than it is without even moving it? Let’s see how we can combine the concept of forced perspective in photography to delude the eye, even if it is for a second. What is It? Forced perspective is the concept o...

Each summer, at air shows across the globe, awestruck spectators enjoy the power and precision of aerial demonstration teams and individual performers. In addition to what is happening in the air, there are often static displays on the ground. For photographers, these events provide outstanding photographic opportunities. After you shoot your first air show, you will likely return each year as I do. The tips below are based on my experiences at air shows around the New York area. “Spitfire’s in the Sky” captured by Barry Price (Click Image to See More From Barry Price) Day of the Show It is recommended that you get to the show at least one hour in advance in order to find parking, and a shooting location. Air shows can be very crowded, with numbers reaching into the tens of thousands. By arriving early, you may be able to set your gear up in a prime area. Generally, the performers enter from the left and right, with their stunts done at “show center.” “Jet Blur Blue Angels” captured by Rob Hayashida (Click Image to See More From Rob Hayashida) A good viewing spot is important, as it allows you to focus and track the incoming jets. When possible, I try to pick a place that’s in the shade with a full view of the show center. However, many airports and military bases do not have trees to block the sun. To protect yourself from the elements, I strongly urge you to bring sunscreen. Lens Choices When I photographed my first air show many years ago, I used a 28-135mm lens. Yet, unless the plane was flying directly above me, I found that much more reach was necessary. Today, I use a 70-200mm for action that’s directly overhead, and a 400mm for tighter shooting. My camera does not have a full frame sensor, so a 400mm with a 1.6 crop factor is actually an effective 640mm lens. Just remember, air shows are usually several hours in duration, and longer lenses can get quite heavy. “Final Approach” captured by Rob Hayashida (Click Image to See More From Rob Hayashida) Image stabilization is a nice feature, but a tripod will give your arms a break and allow you to create sharp images consistently. While the majority of my aviation work is shot with longer lenses, I find that wide angle lenses are also useful for performance teams that are spread out in wide formations. By utilizing a few different options, you can capture more of the action, and will come home with a diverse collection of images. Shutter Speeds Attempting to freeze the motion of something traveling over five hundred miles per hour is no easy feat. In order to achieve this, a fast shutter speed of around 1/1000 is recommended. Yet, like most aspects of photography, there are exceptions to this. With older planes, a shutter speed of 1/1000 will freeze the propellers. The effect actually reduces the appearance of motion, and gives the image an unnatural look. “Diamond Jubilee” captured by Tatoune (Click Image to See More From Tatoune) To show the movement of the propeller, a shutter speed of 1/90 is a good starting point. However, you may have to adjust it slightly to 1/60th or slower, depending on the speed of the plane. Of course, with these slow shutter speeds you will want to pay close attention to your camera technique to ensure sharp images. In-Camera Metering Even today’s sophisticated DSLR metering systems can be tricked by certain situations. When exposing a jet against a clear blue summer sky, automatic camera settings will often properly expose the sky, and leave you with an underexposed plane. In order to have full control over the camera, I prefer to use the in-camera spot meter along with the manual exposure mode. Semi automatic modes can be effective as long as you are utilizing your histogram, and making adjustments as needed. “Mix of Pix” captured by Stevie Mc Teague (Click Image to See More From Stevie Mc Teague) Most often, I find myself around 1/1000th, ISO 400, a

Yahoo’s CEO Marissa Mayer unveils an update to the company’s Flickr photo-sharing site. Among the changes are a redesign with larger images, the ability for users to upload full-resolution photos, and 1TB of free storage for everyone: One terabyte is 1,024 gigabytes — enough to store more than 500,000 images at a resolution common to most smartphones. Yahoo has redesigned the Flickr website to emphasize photos rather than text or white space, as was the case previously. Photos are bigger and shared in full resolution rather than compressed into a lower quality. Flickr Update & Redesign “Flickr was awesome once, it languished, and we now want it to be awesome again,” Mayer said. Go to full article: Flickr Now Offering 1 TB of Free Photo Storage What are your thoughts on this article? Join the discussion on Facebook or Google+ Article from: PictureCorrect Photography Tips

Fourteen years after Oklahoma suffered the most violent tornado ever recorded in the United States, residents once again had their lives carried away on the winds of a relentless and destructive twister. This CBS News video clip interviews Nate Billings, a staff photographer for The Oklahoman newspaper who captured some poignant images at ground zero of the storm’s fury: The pictures that Billings has made are saddening, but are nonetheless a point of relief from the day’s events – children, though terrified, are held by loving parents as they begin their grieving process over such a traumatic event. The more terrible pieces of the story were not photographed, such as at least nine children found dead at a local elementary school, as well as 15 adults (and counting) who perished in the catastrophe. An Oklahoma woman rescues kittens from the rubble after a tornado reduced the city to rubble. The greatest accomplishment of photography throughout history has been its ability to bring the wide world directly into our hearts and homes, through newspapers, television, and the internet. Billings has a special duty in the aftermath of this tragedy, to tell the stories of those afflicted and not let them suffer in silence on the vast, empty plains where their homes used to stand. Out of all the heartbreak a few amazing stories of survival are already being shared such as the one here, take a moment to watch, it will touch your heart: As the rescue mission continues, we hope to see more stories like the one above – of lucky people and animals who are found to survive nature’s wrath and cling to their lives among the destruction. If you’d like to help, you can donate to the Red Cross effort that has already started. Go to full article: Photographer on the Scene Documents the Aftermath of a Massive Tornado in Oklahoma What are your thoughts on this article? Join the discussion on Facebook or Google+ Article from: PictureCorrect Photography Tips

If you guessed the author was Scott Kelby then you would be correct. One of the great benefits of writing this blog is that a few times each week I hear the familiar rumbling sound of the UPS truck coming down my street followed shortly there after buy the thud of a box hitting my front porch and in those boxes are the latest (and sometimes greatest) photography books. The most recent book to go "thud" on my porch was the second edition of "The Digital Photography Book: Part 1" from Scott Kelby. As soon as I opened the package and saw what it was (and who it was written by) I sat down and started thumbing through it. My first thought while I paroozed through the index was "how is he going to cover all this stuff in a little book?". Scott is able to cover such a vast amount of information because he keeps each topic to a single page, and less than a full page at that because there is a corresponding image (or two) to help drive home that point. The book is an easy read because Scott's writing style which is a casual, conversational style of writing, like "hey Scott, do I need to get that 1.4 lens or the 1.8?". He answers in a paragraph why (for reasons other than just the cost savings) in most cases the 1.8 version of the lens would be a better choice. Answers that are short, to the point, and packed with knowledge. You won't find any long and rambling dissertations here. (click on any image to view larger and make it easier to read) Reading this book is like sitting down and being able to pepper Scott Kelby with one photography question after another and getting his expert advice in response. I know, because I have been lucky enough to do just that. Another very cool feature of The Digital Photography Book: Part 1 is how this book is put together, you don't need to read it from the first page through to the last, you can start with the things you find most interesting and work your way to those less so. Jumping from subject to subject will take nothing away from the quality of the content. And I could ramble on about all the things I like about this book and why, if you are a photographer looking for great information that will help improve your craft, this could very well be the book you have been looking for, but I won't. Instead I will do something that in 1,300 posts written here on Weekly Photo Tips that I have done only once or twice... I will give you my personal guarantee, if you buy The Digital Photography Book: Part 1 and it isn't everything I said it is, I will buy it back from you. Consider this, for under $14 you can get a book that will easily fit in your camera bag and stuff your mind with knowledge at the same time.

You’ve run through this fire drill a million times over: first, you grab the family cat, then your family photos. Sadly, it doesn’t always work out that way. While many are grateful to survive a natural disaster, they’re still left devastated from the loss of everything they own. The worst of it might just be the loss of irreplacable family photos. Operation Photo Rescue is a league of photographers and graphic designers who set out to help survivors get their treasured memories back. OPR’s first mission was Hurricane Katrina in 2005. Since then, they’ve restored 9,000+ photos in other disasters like Hurricane Sandy. If you’re itching to help, OPR’s always looking for skilled photo restorers and fundraising. You can help folks get back photos from their wedding day, that regal portrait of their great of grandpa, and snapshots of their daughter’s first birthday. Won’t that feel awesome? Operation Photo Rescue p.s. WE ARE HIRING A WEB DEVELOPER. If you love photography and San Francisco and codes, APPLY HERE. p.p.s. WE ARE ALSO HIRING AN EVANGELIST/BIZ DEV HERO. Creative deal-maker types, APPLY HERE. Related posts: 100 Cameras — How to Improve Kids’ Lives Through Photography Photo by Brooke Schwab Photography is a solo sport. It’s... No light? No hot shoe? No problem. The Metz 28 CS-2 Digital Slave Flash to the Rescue! Nothing will ruin a shot quicker than on-camera flash. Unless... How Street Photography Can Turn into Astrophotography Those Star Trek special effects guys are going to feel...

To those of you new to photography, your Canon EOS camera is bound to seem complicated. There are so many controls, buttons, wheels, and dials. How do you know which ones to use? Are you using your camera to it’s full potential? There is a new guide on this topic and we were able to negotiate a 36% discount until next Tuesday for our readers. Found here: Understanding EOS Understanding EOS Photography Guide Laying inside your camera is sophisticated technology that has evolved over the last 50 years. If you own any EOS camera made within the last five years you possess a picture taking machine that photographers could only dream about ten or twenty years ago. The question is – how do you get the best out of your camera? Or, if you’re a complete newbie, how do you even use it? Some of the Many Topics Covered (109 Pages): It explains how to use an EOS camera in language a complete beginner can easily understand. It has depth – you will come back to Understanding EOS time and again as your understanding of photography improves. It keeps things simple and shows you only the controls on your EOS camera that you need to use. It is full of big, colourful and inspirational photos. It explains why composition, an appreciation of beautiful light and post-processing are just as important to creative photographers as knowing which buttons to press and modes to use. It has an entire section that explains the story and techniques behind the photos in the ebook. It is a great introduction to the more in-depth topics explored in my other photography ebooks. It is written specifically for owners of Canon EOS cameras. It tells you how to use the camera that you own, not those of other manufacturers. Good photos are comprised of three factors: technique, light and composition. I call this the creative triangle. A good photo is well composed and lit by beautiful light. The photographer has the technical expertise required to operate the camera and make the creative decisions required to capture the best possible image. Other Things to be Learned from this Guide: What the creative triangle is, and why creative photographers know that photography is about more than selecting which buttons to press on the camera. How to move out of your camera’s fully automatic exposure modes and take control of your camera’s settings. What your camera’s Mode Dial does, and why you only need to know how to use Program Auto Exposure (P), Aperture Priority (Av) and Shutter Priority (Tv) modes. Pages from Understanding EOS The role of aperture, shutter speed and ISO in obtaining the optimum exposure. How to use the creative aspects of aperture, shutter speed and ISO to create beautiful photos. How to prevent camera shake. How to use Picture Styles – and where to get more than the six Picture Styles that come with your camera. What white balance is and why it matters. Why the Raw format is so much easier to use than the JPEG format. What the luminance histogram and highlight alert are and how to use them to make sure your photos are well exposed. “It takes time to learn the craft of photography. The key is to acknowledge that. Instead of feeling down if you feel your images can’t compare with the those of the experienced photographers you most admire, use it as inspiration.” – Author Andrew Gibson How to Get a Discounted Copy This Week: The guide comes in PDF format that can be read on computers, phones and most tablet computers (works great as a mobile reference out in the field). Our readers can receive 36% off until Tuesday, May 28 by using the link below. It can be found here: Understanding EOS – A Beginner’s Guide to Canon EOS Cameras Go to full article: Deal on Understanding EOS: A Beginner’s Guide to Canon EOS Cameras What are your thoughts on this article? Join the discussion on Facebook or Google+ Article from: PictureCorrect Photography Tips