Peter Eastway is the editor of Better Photography magazine and the architect of countless breathtaking images. While exploring his blog, I stumbled across an image titled “Shark Bay from the Air.” The brilliant colors and g...
Peter Eastway is the editor of Better Photography magazine and the architect of countless breathtaking images. While exploring his blog, I stumbled across an image titled “Shark Bay from the Air.” The brilliant colors and graphic elements captivated me, but what shocked me was viewing the original capture. The colors and contrast were drab and uninteresting. His image went from boring to blissful entirely during the post-capture creative process. This reminded me to never underestimate the power of skilled and thoughtful editing. In today’s Photoshop Workbench, we’ll use a Patagonia iceberg image submitted by Luke Seaward to examine a few powerful “Peter-esque” strategies for selectively painting on contrast and color.
Note: In this Workbench, I show how to use Color blend mode to brush on color. Although I don’t mention it, there are a few other blend modes that may also be useful for adding color. The modes are Multiply, Overlay, Soft Light, and Hard Light.
The post Photoshop Workbench 387: Selectively Brushing On Contrast and Color appeared first on Mark S. Johnson Photography.