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More than semantics, equalization has very real practical consequences.
More than semantics, equalization has very real practical consequences.
10 2 days ago
Zoom North America’s new H6 Handy Recorder portable recorder has been released.
Zoom North America’s new H6 Handy Recorder portable recorder has been released.
7 1 day ago
100-watt continuous AES power rating
100-watt continuous AES power rating
about 2 hours ago
We’re manipulating emotional cues in the form of sound
We’re manipulating emotional cues in the form of sound
about 2 hours ago
The independent non-profit group the Hennepin Theatre Trust and their managing partner the Historic Theatre Group recently upgraded the sound systems at two of their three historic theaters in downtown Minneapolis’ thriving cultural dist...
The independent non-profit group the Hennepin Theatre Trust and their managing partner the Historic Theatre Group recently upgraded the sound systems at two of their three historic theaters in downtown Minneapolis’ thriving cultural district.
about 2 hours ago
Held the first Saturday in June, the concert featured memorable bands from the 70s including headliners Mark Farner from Grand Funk Railroad, Mitch Rider, the Buckinghams, the Traamps, Soul Survivors, as well as local area bands.
Held the first Saturday in June, the concert featured memorable bands from the 70s including headliners Mark Farner from Grand Funk Railroad, Mitch Rider, the Buckinghams, the Traamps, Soul Survivors, as well as local area bands.
about 2 hours ago
New H6 Headset microphone’s combination of great sound and low visibility a hit in Sweden
New H6 Headset microphone’s combination of great sound and low visibility a hit in Sweden
about 2 hours ago
Wavesfactory has released TrackSpacer 2.0, a major upgrade to the unique plugin. In case you haven’t heard of TrackSpacer, here’s a description of what it does. As implied by name, TrackSpacer cleverly creates space in a musi...
Wavesfactory has released TrackSpacer 2.0, a major upgrade to the unique plugin. In case you haven’t heard of TrackSpacer, here’s a description of what it does. As implied by name, TrackSpacer cleverly creates space in a music mix for any instrument, voice, or other audio source by performing automatic, multi-band equalisation on a per track basis. But how, exactly, does it do that, then? Quite simply, it analyses the audio frequency content in a track/bus via SideChain, and applies an intelligent 32-band EQ to subtract those frequencies from the channel/bus where TrackSpacer is inserted — giving room or space to a specific track by reducing its frequencies on another track in realtime, in other words! So in practice… For instance, if a kick drum and bass part are competing for space, simply insert TrackSpacer 2.0 in the bass track and have it ‘listen’ to the kick; then fine-tune TrackSpacer 2.0 so it only subtracts the frequencies from the bass signal that help define the core sound of the kick drum each time it plays. The result? Both kick and bass can be heard more clearly. Clever, eh? The new version offers AAX support; new Attack/Release controls; M/S mode (to subtract frequencies on the mid channel, the sides, or anything in-between); L/R mode improvements (pan the effect in the left channel, right channel, or anything in-between); SideChain listen function (to hear what’s coming through the SideChain input with filters applied to better fine-tune the plug-in); and last, but not least, several GUI improvements, including a new Advanced Panel, colour lines, LED light on the FREEZE button, brighter knobs, and clear, white background. TrackSpacer 2.0 can be ordered online for an introductory price of €39.00 (rising to €59.00) directly from Wavesfactory.
about 2 hours ago
In this video James takes a look at the XPressor 500. A True Stereo Class A Compressor for 500 series rack by Elysia.
In this video James takes a look at the XPressor 500. A True Stereo Class A Compressor for 500 series rack by Elysia.
about 3 hours ago
Say cheese! The end of Macs with storage and expansion slots is proving very unsettling to some. If it’s not unsettling to everyone, well, blame how much better at making music laptops and cheaper desktops have gotten. Photo (CC-BY...
Say cheese! The end of Macs with storage and expansion slots is proving very unsettling to some. If it’s not unsettling to everyone, well, blame how much better at making music laptops and cheaper desktops have gotten. Photo (CC-BY) Paul Hudson. For all this debate over the new Mac Pro, you really need to know only two things: 1. The current Mac Pro is not a good value at the moment. 2. We have no idea how much the new Mac Pro will cost. And so, everything else (minis, iMacs, MacBooks, and yes, even PCs) rule the roost. That’s good for music, because (as a couple of commenters observed), they’re all working just fine. The Mac Pro I thought was newsworthy last week in that it demonstrated that more internal horsepower is coming to high-end desktops, and that those machines can (whether you like it or not) rely on external devices – meaning Apple can make them really small. The response to last week’s editorial, though, revealed just how divisive this machine can be. Boy, did readers complain – shouting at me, shouting at each other. It’s also like a walk down memory lane. Mac users and Windows users are fighting again. People are complaining that a new computer from Apple will completely destroy professional workflows because of an absence of expandability, that Apple doesn’t understand the pro market. Ah, memories. For other good analysis, veteran Apple watcher Peter Cohen has a great story: A closer look at the new Mac Pro [iMore] Take note: upsides include fast internal storage, dual Ethernet, loads of Thunderbolt ports, lots of I/O bandwidth, 4K displays. Likely a quiet studio machine. Loads of power. The downside: we don’t know how much it will cost or exactly when it will be available. (It’s really, really tough to overstate how important that is.) To be fair, if you’re heavily invested in internal hardware, this is still really bad news. And Mac users may feel the situation is out of their control, because unlike Windows users, Apple is their only vendor. (That’s true of some of you, anyway; some of you are happily building Hackintosh machines.) But what I think is missing from the online debates (on CDM and elsewhere) is one cold, harsh reality: the current Mac Pro seems a waste of money, 2010 technology at premium prices: On the US Apple Store, the base model will set you back US$2500. To get the higher-end Intel chip, you need to shell out $3800. That’d all be find if you got performance to match. But have a look at Macworld’s Speedmark scores. The 12-core Mac Pro (the one that costs as much as a used car) isn’t only outrun by a fancy new Retina MacBook Pro. It’s also slower than an iMac, or even the top-of-the-range Mac mini. Switching to Thunderbolt and USB might well be pricey if you have a big investment in internal hardware. And buying one internal hard drive is definitely cheaper than buying one in a case with a cable. But you simply can’t say the current Mac Pro status quo is a good value situation. It’s an expensive, slow machine. And economizing by buying internal hardware is not always an advantage in an age when more and more pro users run laptops (or minis, or iMacs). Yes, external hardware generally costs more. It’s also easier to move and easier to swap with other computers, which can ultimately be a better value. Also, it seems a small Mac Pro could be useful to audio users, who often move machines for everything from audio installations to stage setups. It’ll also be great news if this machine is quieter. We’ll know more later this year; it’s just too soon to say for sure. Upgradeable, yes. But the cost of the machine itself is very high – and GPU and CPU upgrade options often aren’t the best buys for a Mac tower, either. Photo (CC-BY) Glenn Batuyong. What is uncertain about the new Mac Pro I think there are other concerns here that have more weight, though.
about 3 hours ago