You want to know what we really learned from this week’s episode of Sons of Anarchy? We learned that Kurt Sutter does not f**k around. When his season-long plans were scuttled due to Donal Logue’s scheduling conflicts, and th...
You want to know what we really learned from this week’s episode of Sons of Anarchy? We learned that Kurt Sutter does not f**k around. When his season-long plans were scuttled due to Donal Logue’s scheduling conflicts, and the subsequent (and abrupt) death of Lee Toric, Kurt Sutter did not reset. He did not pull back and recalibrate. He didn’t slow it down and develop some new plot threads. He did a quick substitution (CCH Pounder for Donal Logue), and then he plowed on through, throwing another extra-long episode at us that culminated in perhaps the most disturbing sequence in A SHOW FULL OF DISTURBING SEQUENCES, and then buttoned the episode with a gauntlet that said:
THE WAR IS ON, MOTHERF#@$#%S.
Your Musical Montage Moment of the Week — Typically, Kurt Sutter likes to hold the musical montage until the end of the episode, which usually culminates in yet another traumatic murder, but they changed it up this week, leading the episode with the montage, and setting the tone for the rest of the episode. I remember him doing this once last season with the episode that ended with Gemma crashing her SUV. If there’s one thing I’ve learned from an opening musical montage in Sons of Anarchy, it’s that if there’s a scene with one of the kids sleeping, then WATCH OUT KID.
There was no time for grieving Otto’s death, however. A nice little nod to Chucky, and what Otto meant to him, and we’re off to the races. “If it weren’t for Otto, I wouldn’t be here,” Chucky says. And if it weren’t for Chucky, nobody in SAMCRO would be around after last night’s events, so Otto, by virtue of saving Chucky, actually saved all of SAMCRO.
I’m Letting You Tap My Mom, That’s Gotta Be Worth Something — There had been some friction brewing between Jax and Nero, and that very well may come to a head soon. The District Attorney is now pushing Eli Roosevelt to arrest Nero and even turn Tara on SAMCRO, so that she can pin the school shooting on the club. Eli had to wait for the lab results, however, on the prostitute’s DNA, which of course only came when it was convenient to the plot. (The lab results will be in tomorrow. The lab results will be in later today. The lab results will be in in a few hours. Wait? Nero is in a convenient place where I can witness the destruction of SAMCRO’s clubhouse? THE LAB RESULTS ARE IN!)
Anyway, the Nero storyline was mostly a stall, although with Eli snooping around, Robocop got his robo-knickers in a twist, and threatened to boot SAMCRO out of the Stockton whore business if the case heats up. Well guess what? THE CASE HEATED UP.
Also, this is the look of a man who just realized that his prostitute girlfriend is banging Jax for free.
I’m going to jail. I have to face that reality — The plausibility of the Tara/Gemma/Wendy plotline is a bit more of a stretch than I’d like it to be. I mean, first of all, it was a little too convenient that Otto’s death actually made Tara’s imprisonment more likely, although they managed to make some sense of it by suggesting that Otta killed Toric on behalf of SAMCRO, and therefore, Otto must have also killed Toric’s sister under orders from the club, which implicates Tara. The catch that’s not discussed, however, is that neither SAMCRO nor Tara, nor anyone else, had any connection whatsoever to Toric’s sister until Otto killed her. What’s the motive, other than a random act of Otto’s crazy?
But even looking past that, the Wendy situation is hinky. Tara hated Wendy. Gemma really hated Wendy, now all of a sudden, both Tara and Gemma are buddying up to her. Don’t forget that both Gemma and Tara, at various times, have threatened Wendy’s life, so it’s especially strange for Gemma to be saying how much she loves Wendy, and how good she and Jax were together, and blah blah blah, we sure