Science Fiction

A Bajoran poet who disappeared 200 years previously comes out of the wormhole claiming to be the Emissary. Plot Summary: An ancient Bajoran lightship emerges from the wormhole carrying a single passenger, a legendary Bajoran poet named ...
A Bajoran poet who disappeared 200 years previously comes out of the wormhole claiming to be the Emissary. Plot Summary: An ancient Bajoran lightship emerges from the wormhole carrying a single passenger, a legendary Bajoran poet named Akorem Laan who disappeared two centuries earlier. Akorem tells Sisko, who has been having misgivings about his role as Emissary, that he nearly died during a spacefaring accident and was saved when he discovered the Celestial Temple, where the Prophets healed him. He believes he has been sent back to become the Emissary. Believing that this makes more sense than that the Prophets would have chosen an outsider, Sisko relinquishes the title, something most Bajorans including the Kai and Kira accept. Then Akorem announces that Bajorans must return to the caste system, known as D’jarras, which assign each person a specific status and profession. All at once, Bajorans start changing jobs and giving up seats to higher-caste individuals, while Akorem expects Shakaar to be voted out of office and go back to farming. Because the Federation forbids caste-based discrimination, Sisko realizes that Bajor will likely be denied membership and is deeply troubled. He has a delayed orb vision in which a Prophet in the form of Kai Opaka warns him that he does not know his role. When he tells Kira that he feels he has failed Bajor, she tells him that it isn’t his responsibility and adds that she plans to resign to become an artist as her D’jarra dictates. Then Odo summons Sisko, who learns that a monk has been murdered by a Vedek because he refused to resign despite being from an “unclean” caste. Sisko decides that he was wrong to give up the position of Emissary and asks Akorem to travel into the wormhole with him so that the Prophets can explain their will. The two learn that Akorem was rescued and sent into the future to inspire Sisko, the Emissary, to understand his role. They return Akorem to his own era, where he finishes his famous incomplete poem. Sisko returns to the station with a renewed sense that his destiny and that of Bajor are linked. Analysis: Watching “Accession” reminded me in a visceral way of how very angry I was with the Star Trek franchise in 1996, during DS9′s fourth season and Voyager‘s second. Both shows were undergoing changes to make them more marketable to a wider audience, one consequence of which, I felt, was that the female characters were written much more stereotypically and passively. “Accession” is a perfect example: although in many ways it’s a terrific episode, struggling with the questions of faith and culture that both the original series and Next Gen often treated dismissively if not with contempt, it focuses on two big patriarchal figures, while one major female character is reduced to asking timid questions and the other – the one arguably most directly affected by the events – allows enormous changes to occur in her culture while passively accepting potentially disastrous consequences. To be fair, all of Bajor and not just Kira ends up looking somewhat pathetic, easily pushed around and not yet ready for Federation membership – in retrospect, it would not have been a surprise to learn that the return of Akorem Laan was a plot engineered by the Cardassians or the Dominion to neutralize Bajor as a potential threat – but because Kira is the one we see as an example of how the new Emissary is affecting all Bajorans, she’s the one who seems most weakened by the unfolding of events. Though I didn’t always like it when she leaned on Bareil for spiritual advice, I so wished he’d been alive to talk about Bajoran faith as a growing, evolving institution. I could ask many practical questions, like why didn’t Sisko consult with an orb before doing anything as drastic as stepping down as Emissary, or pragmatic questions, like do you really mean to tell me there was
about 3 hours ago
Who doesn’t love LEGO? As a child with a strong sense of imagination, and a tendency to be happy enough staying indoors on a rainy day, LEGO was a door that allowed me to enter into an infinite number of other worlds. My time with ...
Who doesn’t love LEGO? As a child with a strong sense of imagination, and a tendency to be happy enough staying indoors on a rainy day, LEGO was a door that allowed me to enter into an infinite number of other worlds. My time with LEGO and my time discovering Tolkien’s Lord of the Rings didn’t quite intersect, but they’re both formative parts of my childhood and adolescence. Hell, I have a LEGO set of Gandalf’s carriage, from the beginning of Fellowship of the Ring sitting on my desk at work right now. Based on the layout of Helm’s Deep featured in Peter Jackson’s film adaptation, this 150,000 brick set piece is astounding. The artists, who go by the names Rich-K and Big J, apparently, nail the atmosphere and scale of the conflict of one Lord of the Rings most iconic scenes. At the time these photos were taken, the model was about 90% complete, with an estimated four months worth of work. The time, money and personal investment that must have gone into this project is impressive. More photos of this LEGO Helm’s Deep can be found on the artist’s MOCpages post.
about 4 hours ago
In 1983, Return of the Jedi marked the end of the original Star Wars trilogy, and with it, an incredible era of effects innovation in film. The movie wrapped up all the story threads previously set in motion — Luke’s journey ...
In 1983, Return of the Jedi marked the end of the original Star Wars trilogy, and with it, an incredible era of effects innovation in film. The movie wrapped up all the story threads previously set in motion — Luke’s journey to become a Jedi, the Rebellion’s struggle against the Empire, and the redemption of [...]
about 5 hours ago
Cave Shrine, the new webcomic from Nick Edwards, he behind the 8bit computer gamery meets Indiana Jones Dinopopolous:
Cave Shrine, the new webcomic from Nick Edwards, he behind the 8bit computer gamery meets Indiana Jones Dinopopolous:
about 5 hours ago
James Lloyd, artist on Futurama, has a 12-page strip up on his blog, entitled Notes On Prometheus, it’s actually a meditation on the importance of Archie Goodwin, and a damn fine one as well. It’s a great read, go look. But h...
James Lloyd, artist on Futurama, has a 12-page strip up on his blog, entitled Notes On Prometheus, it’s actually a meditation on the importance of Archie Goodwin, and a damn fine one as well. It’s a great read, go look. But here’s a little of what Lloyd had to say, and the first couple of pages after that. (Oh, and thanks to Jez Higgins for the link) This deserves a bit of a preface: The following was by no means meant to be a polished piece of comics reportage– it sprung from my desire to avoid posting one more opinion on one more comment thread about what quickly became a played out topic at the top of last summer. I decide to draw what I had to say instead as a fun little exercise. Both the comic I’m paid to draw, Futurama, and the personal strip I’m collaborating on require mannered, formal cartooning: the test was to see if I could overcome this laboured style of creating comics and simply get my ideas down on paper as quickly and directly as possible.
about 5 hours ago
Convention season, and Faith Erin Hicks details all the highs and lows over at TCJ: There’s more at the Comics Journal site. And Hicks’ new book Nothing Can Possibly Go Wrong, written by Prudence Shen, is out in June. You ca...
Convention season, and Faith Erin Hicks details all the highs and lows over at TCJ: There’s more at the Comics Journal site. And Hicks’ new book Nothing Can Possibly Go Wrong, written by Prudence Shen, is out in June. You can catch up with it online, but something this good… get the book. You wouldn’t expect Nate and Charlie to be friends. Charlie’s the laid-back captain of the basketball team, and Nate is the neurotic, scheming president of the robotics club. But they are friends, however unlikely — until Nate declares war on the cheerleaders. At stake is funding that will either cover a robotics competition or new cheerleading uniforms — but not both.  After both parties are stripped of their funding on grounds of abominable misbehavior, Nate enrolls the club’s robot in a battlebot competition in a desperate bid for prize money. Bad sportsmanship? Sure. Chainsaws? Why not. Running away from home on Thanksgiving to illicitly enter a televised robot death match? Of course! Written by Prudence Shen, with artwork and a cover by Faith Erin Hicks.
about 5 hours ago
Our regular weekly flick through the pages of my favourite comic for kids…. Cover by Dan Boultwood. His Haggis and Quail lead the issue off, and it’s a nice, not great start. You can’t help but think Jamie Smart has so...
Our regular weekly flick through the pages of my favourite comic for kids…. Cover by Dan Boultwood. His Haggis and Quail lead the issue off, and it’s a nice, not great start. You can’t help but think Jamie Smart has some weird plan sort of thing going on, now that we’ve introduced the humans, and there was that whole mysterious thing with Skunky. Or then again, maybe he just had a good idea that stringing a load of gags together with a couple of humans in a cabin would deliver another week’s quality Bunny Vs Monkey. And if that’s the case… spot on… Meanwhile, Gary’s Garden takes one of its regular sojourns into the plain surreal… stick club: Silly, silly, silly, but really well done silly. Gary Northfield really manages to put weird and cute together so well. Corpse Talk shines once more, with Adam Murphy picking some unusual and intriguing guest corpses to chat to. This issue features Mexican modern artist Frida Kahlo. I like the idea of Murphy having done this so long that he’s effectively done all the trad historical figures, and we’re going into the realms of the lesser known, even more interesting folks. Robert Deas’ Troy Trailblazer returns, this time the adventurer is about to get mixed up with a princess on the run. It’s a straight on action adventure strip, an 80s style cartoon brought to the comic page, although this time round his art has a scaled back feel, less big digital effects, and the simplicity works to focus the eye on the action. Nice start. Other new strip, sort of, is the return of Simon Swift. This is a mere prelude to act 2, a character guide and a two-page “previously” bit. The fantasy saga continues next issue. I’m definitely veering towards a few old favourites in the Phoenix each week, as frankly there’s rarely a bad strip come out from Mssrs. Smart and Northfield yet. But Murphy’s Corpse Talk is right up there in my affections as well. The comedy and stranger stuff wins over the straight adventure strips right now, but maybe that’s just me at my age. Something like Deas’ Troy Trailblazer would have been great for 7 year old me, Simon Swift for 10 year old me. And that’s where the Phoenix feels like it’s got the mix right. You can pick up copies of The Phoenix comic each week from a host of great comic shops, including our own, from Waitrose, from a number of other outlets (see here on the Phoenix site) and through subscription.
about 5 hours ago
As seen on Kate Brown’s Tumblr: Tanglefoot by Adoradora. It’s frustratingly short on info about who’s making it, whether at Adoradora’s Tanglefoot Tumblr or Deviant Art pages, but putting various bits of info toge...
As seen on Kate Brown’s Tumblr: Tanglefoot by Adoradora. It’s frustratingly short on info about who’s making it, whether at Adoradora’s Tanglefoot Tumblr or Deviant Art pages, but putting various bits of info together, all this art is the precursor to an eventual webcomic. And what a webcomic it could be based on this little description and all that beautiful artwork: “Tanglefoot takes place in a city called Hesperillo, which does have an actual geographic location of sorts, but I’ll keep that under my hat for now. Hesperillo has some superficial resemblance to 30s/40s Manhattan, but with plenty of surreal, phantasmagorical touches. The main character, the sullen gentleman with the silver nose, is one Isidore ‘Izzy’ Perizene. He’s a former carnival barker, former dime-a-dance man, former wrestling promoter, former nightclub owner, and currently trying to turn a buck as a small-time talent manager. He is a chronically luckless little nebbish. Early on in the story, he lands a mysterious new client. Events unfold from there, and get progressively weirder and sillier.” “I guess what I’m aiming for is, I dunno, Kafka as written by a two-bit 1940s radio playwright in the grip of the DTs. Or maybe ‘Invisible Cities’ as written by Raymond Chandler if Raymond Chandler was a trained chimpanzee. Or Ray Bradbury’s short fiction run through a mangle and then acted out by a bunch of Al Hirschfeld characters with a penchant for slapstick humor. Something along those lines. Only worse. Much, much worse. Infinitely worse. Keep in mind that I haven’t written anything since I was seventeen, and that everything I know about dialogue I learned from listening to ‘The Adventures of Sam Spade.’ I also know nothing about pacing, zip about lettering, nada about panelling, and drawing backgrounds makes me weep softly into my ink.” “Those caveats aside, I am SO determined to make this ridiculous comic. I don’t care if it turns into a big, ink-spattered trainwreck (it will). I am utterly paralyzed by self-doubt 80% of the time, but during the 20% that remains I intend to write and draw the hell out of this thing.” Oh, the number of great artists who don’t do these lovely things because of that paralysing self-doubt. Go and encourage, because Tanglewood certainly looks like something I’d like to see happen sooner rather than later. Even more art under the cut
about 5 hours ago
http://www.latenightwithjimmyfallon.com/episode-guide/ It should be a lot of fun.
http://www.latenightwithjimmyfallon.com/episode-guide/ It should be a lot of fun.
about 6 hours ago
by Kameron Hurley I’m going to tell you a story about llamas. It will be like every other story you’ve ever heard about llamas: how they are covered in fine scales; how they eat their young if not raised properly; and how, at the end of ...
by Kameron Hurley I’m going to tell you a story about llamas. It will be like every other story you’ve ever heard about llamas: how they are covered in fine scales; how they eat their young if not raised properly; and how, at the end of their lives, they hurl themselves–lemming-like–over cliffs to drown in the surging sea. They are, at heart, sea creatures, birthed from the sea, married to it like the fishing people who make their livelihood there. Every story you hear about llamas is the same. You see it in books: the poor doomed baby llama getting chomped up by its intemperate parent. On television: the massive tide of scaly llamas falling in a great, majestic herd into the sea below. In the movies: bad-ass llamas smoking cigars and painting their scales in jungle camouflage. Because you’ve seen this story so many times, because you already know the nature and history of llamas, it sometimes shocks you, of course, to see a llama outside of these media spaces. The llamas you see don’t have scales. So you doubt what you see, and you joke with your friends about “those scaly llamas” and they laugh and say, “Yes, llamas sure are scaly!” and you forget your actual experience. What you remember is the llama you saw who had mange, which sort of looked scaly, after a while, and that one llama who was sort of aggressive toward a baby llama, like maybe it was going to eat it. So you forget the llamas that don’t fit the narrative you saw in films, books, television – the ones you heard about in the stories – and you remember the ones that exhibited the behavior the stories talk about. Suddenly, all the llamas you remember fit the narrative you see and hear every day from those around you.  You make jokes about it with your friends. You feel like you’ve won something. You’re not crazy. You think just like everyone else. And then there came a day when you started writing about your own llamas. Unsurprisingly, you didn’t choose to write about the soft, downy, non-cannibalistic ones you actually met, because you knew no one would find those “realistic.” You plucked out the llamas from the stories. You created cannibal llamas with a death wish, their scales matted in paint. It’s easier to tell the same stories everyone else does. There’s no particular shame in it. It’s just that it’s lazy, which is just about the worst possible thing a spec fic writer can be. Oh, and it’s not true. ••• As somebody with more than a passing knowledge of history (All the Thing That Came Before Me), I’m passionately interested in truth: truth is something that happens whether or not we see it, or believe it, or write about. Truth just is. We can call it something else, or pretend it didn’t happen, but its repercussions live with us, whether we choose to remember and acknowledge it or not. When I sat down with one of my senior professors in Durban, South Africa to talk about my Master’s thesis, he asked me why I wanted to write about women resistance fighters. “Because women made up twenty percent of the ANC’s militant wing!” I gushed. “Twenty percent! When I found that out I couldn’t believe it. And you know – women have never been part of fighting forces –” He interrupted me. “Women have always fought,” he said. “What?” I said. “Women have always fought,” he said. “Shaka Zulu had an all-female force of fighters. Women have been part of every resistance movement. Women dressed as men and went to war, went to sea, and participated actively in combat for as long as there have been people.” I had no idea what to say to this. I had been nurtured in the U.S. school system on a steady diet of the Great Men theory of history. History was full of Great Men. I had to take separate Women’s History courses just to learn about what women were doing while all the men were killing each other. It turned out many of them were governing countries and figuring out rather effective methods of birth control that had sweeping ramifications on the makeup of particular states, especi
about 6 hours ago