On this date in 1699, Madame Angelique-Nicole Tiquet lost her beautiful head … eventually.
The talk of every Parisian in the spring of 1699 for attempting the life of her husband, Angelique-Nicole Carlier had been well-known in Pa...
On this date in 1699, Madame Angelique-Nicole Tiquet lost her beautiful head … eventually.
The talk of every Parisian in the spring of 1699 for attempting the life of her husband, Angelique-Nicole Carlier had been well-known in Paris circles since the 1670s; coincidentally or not, that was a period when a perceived boom in “husband-killing” burgeoned the phenomenon into an outright moral panic.
In those bygone days, Mademoiselle Carlier did her manslaying metaphorically, wielding only her limitless charms (not excluding a wealthy inheritance left by her industrious albeit untitled late father). This reputed “masterpiece of nature,” alas, exchanged her magnum opus for deniers on the livre when she succumbed to the suit of Claude Tiquet, a respected councilor of the Parlement of Paris so bedazzled by the young woman that he did not pause to consider her liberalities. Although quite past her in age, Tiquet won her hand with the promise of wealth so capacious that he wooed his intended with a bouquet of flowers studded with 15,000 l. worth of diamonds — and plied her aunt with still more largesse to advance his case.
But actually, Monsieur Tiquet was not wealthy. He stretched his fortune to acquire these amorous bribes as, let us say, investments in a happy future.
“Thus they united their fortunes for life, equally blinded as to each other,” George Henry Borrow wrote. “Such are the steps that lead to the most unhappy destinies.”
The wife’s prodigality — and her belated discovery as she blew through the putative family fortune that it was he who had married the money, and not she — soon brought domestic relations to a frosty pass.
Madame kindled a more edifying romance with a young captain of the guards; Monsieur strove in vain to check her moves with locked doors and snooping skulks. They separated to distinct wings of the family house, seeing one another only rarely — and in deathly silence — while each schemed his or her embittered schemes. Years they wasted at this intolerable impasse.
Despairing at last of being rid of either her horrible husband or his horrible debts, Madame Tiquet took her plotting far enough to compass her spouse’s death. “It is impossible,” she cried in one unguarded moment to a friend, “for me to have any enjoyment of myself while my husband lives, who is in too good health for me to look for such a quick revolution of fortune.”
So she engaged the services of her porter and of a freelance villain, and on the evening of April 8, 1699, these two assassins ambushed Claude Tiquet as he returned from a friend’s house and shot him three times. One ball only barely missed the heart. Tiquet survived, and he demanded those who came to his aid take him not to his own house but back to his friend’s. Of enemies, he said, “I have none but my own wife.”
This scenario speedily became the talk of Paris, and it did not take long for sentiment to coalesce against the wife. The hired assassins implicated Madame Tiquet in a years-long conspiracy to murder her husband whose previous installments — a missed ambush; a failed poisoning — had come to naught. Both Madame Tiquet and the porter, Jacques Moura, received a sentence of death, each appropriate to their respective stations: she to lose her neck, and he to swing from his.
There nevertheless remained some ambiguity about her real guilt, for the evidence was mostly circumstance and inference and colored by the purely titillating qualities of the public scandal. And then there was the fact that she was an attractive woman.
Angelique’s brother, a guardsman like the condemned woman’s lover, organized a petition for pardon. Surprisingly, even Monsieur Tiquet threw himself at Louis XIV‘s feet to plead for the life of his would-be murderess and the mother of his children. But it is said that when