Writing

“Creativity is the greatest rebellion in existence.” — Osho I [state your name] hereby declare that I am a Creative Rebel, also known as a Creative Badass, and that I am either Female or a great friend of the Female ...
“Creativity is the greatest rebellion in existence.” — Osho I [state your name] hereby declare that I am a Creative Rebel, also known as a Creative Badass, and that I am either Female or a great friend of the Female or in touch with my inner Feminine, my Soul. As such, I believe the following: My creative ambition, however it chooses to express itself, is my birthright. It is central to who I am. It involves the need to play, to experiment, to make a mess, to embrace the great beauty of imperfection, to understand that there are no mistakes. It requires that I wander and dream and expose myself to interesting things and follow up on what catches my fancy. Thus, it might not always seem that I am quote-unquote “being productive”, but I shall trust that deep forces are at work, even when it appears said forces have gone to Tahiti. Creativity moves through me and happens in the spaces between myself and others, myself and my materials. It is my job as a Creative Rebel to find those persons and materials that light me up, and to steadily extract myself from relationships and situations that are eating away at my soul. I have only one soul, and I do not wish to lose it, trade it in or misplace it. Putting a dent in the universe is all very well, assuming the universe is some steely mechanism, but I am not into swinging a sledgehammer. I wish to track my deepest nature and be a point of light in the web that connects us all. I will help keep the darkness at bay. I reserve the right to excellent footwear, and fine chocolate when necessary. I recognize that I have both a Soulvoice and a Worldly Chorus. My Soulvoice would have me reveal my innate genius by becoming exactly who I am. It guides me to my unique and sacred purpose. The Worldly Chorus would have me slice off pieces of myself to fit someone else’s agenda. My challenge is to listen to the one and navigate the other, preferably with wit and savvy and the occasional shot of tequila. I acknowledge that my creative life is the shifting accumulation of the choices I make about how I use my time and energy and engage, or fail to engage, in the radical acts of self-care. Each decision leads me away from or toward what I want, even if what I want is a better understanding of just what the hell I want. I shall henceforth feed my head all sorts of wondrous and inspiring images on a daily or near-daily basis. I understand that for all my attempts to plan, predict and control things, I live and work against a backdrop of mystery. Our actions ripple out along the invisible lines that connect us: our friends and our friends’ friends and our friends’ friends’ friends. By saving myself, I can also save others. I understand that the universe keeps secrets much bigger than I am. I shall find my work, and do my work, and let go of the fruits of my labor. The universe knows what to do with them. I shall move on, turn the page, begin again. I acknowledge that the influence a Creative Person sends into the world isn’t measured by how famous she is or the wealth she accumulates or the amount of wild sex she is having. People become icons when they embody some aspect of the zeitgeist; their very identity tells a story that the rest of us need to hear, that eases some anxiety inside us. Some people have a flair for this. It’s their gift. I might have different gifts. My story is also worth telling. I acknowledge that failure is a part of all great stories. In order to overcome something, I have to have something to overcome. The meaning is in the struggle: how it forces me to change and deepen and grow in the ashes. The old self must die, so the new self can rise and turn pain to power, wounds to light, however much this may suck at the time. And now, because it is time to end this thing and go have the Coffee, I [state your name] do hereby swear to Own It. And also to Bring It. Signed:
score: 1 about 5 hours ago
Today is the release day of the fifth episode of In Darkness We Must Abide, entitled The Vampires. The episode is the season finale and nearly twice the size of the regular episodes.The reviews have been coming in from the review blogger...
Today is the release day of the fifth episode of In Darkness We Must Abide, entitled The Vampires. The episode is the season finale and nearly twice the size of the regular episodes.The reviews have been coming in from the review bloggers, and the consensus appears to be that the episode was awesome!"My heart was racing and aching at the same time. It left me feeling fear for some of the characters, and heartbreak for others. I am going to be so impatient waiting for season two of this serial. I need it now!!" - Amy, Book Loving Mom"Episode 5 is an epic episode. It's meaty and everything has built up to it. Needless to say that the previous episodes, even the deaths in episodes 1 & 2 where the calm before the storm that Rhiannon unleashes in this one!" - Lori Parker for Parajunkee Indie Reviews"Episode 5 blew my freaking mind! I want to read it again already. It was the best of the five, and that's saying a lot because all of the episodes have been remarkable. I can't believe how much happens in this episode." - Toni, My Book Addiction"This is a magnificent conclusion to season 1. Simply epic. I'm just... speechless after reading this." - Lindsay, Contagious ReadsIt's available in most ebook formats at various online stores. You can buy the ebook in nearly every format at my website by clicking here. Or you can purchase the book at the links below.Also, today is the LAST day to pre-order your autographed copy of the paperback of the complete first season of In Darkness We Must Abide. It contains all five of the first episodes and is 300 pages in length. For full details click here.Episode 5: The VampiresAll is not well in the Socoli world. Vanora is on the cusp of adulthood and preparing to move way to attend college. Used to their sibling being their anchor to the mortal world, Roman and Alisha are already feeling adrift in their dark world. Meanwhile, the mysterious Armando, shrouded in all his secrets, draws ever closer to Vanora as her feelings for him deepen. Soon their small world will explode into chaos, leaving Vanora to wonder if all she believed to be true were lies.Don't forget to add the book to your list at Goodreads. The complete First Season of In Darkness We Must Abide will be released in paperback on May 24, 2013. There is a big book blitz scheduled on the same day with guest posts, interviews, and giveaways. I'm also hosting a big event on Facebook where I will be giving away ebooks, bookmarks, and even paperbacks all day long. Join the event by clicking here.Also, check in with the Read Along hosted by Lori Parker at Parajunkee.You can also download the first episode for FREE from my website by clicking on the book cover. You can also get it FREE at the Kindle store, iTunes, and Kobo Books.You can purchase episodes 2-5 for .99 each at the following online stores.Episode 1Episode 2Episode 3Episode 4Episode 5
score: 1 about 14 hours ago
A Question of Proof, by Nicholas Blake, is my chosen Forgotten Book for today. It marked the crime writing debut of the poet Cecil Day Lewis, and the arrival on the scene of his regular sleuth, Nigel Strangeways. It's one of a number of ...
A Question of Proof, by Nicholas Blake, is my chosen Forgotten Book for today. It marked the crime writing debut of the poet Cecil Day Lewis, and the arrival on the scene of his regular sleuth, Nigel Strangeways. It's one of a number of mysteries written in the Thirties with a public school setting - R.C Woodthorpe and Glen Trevor (alias James Hilton) were among those who used a similar background. Blake had taught in such a school, and his inside knowledge of the milieu contributes to the quality of the story.The first part of the book is seen largely from the viewpoint of a young teacher, perhaps based on Day Lewis himsel, who is an anti-establishment figure - so much so that he is conducting an affair with the head teacher's wife, who rejoices in the name of Hero Vale. When a rather unpleasant pupil is found dead in the hay castle where the couple have recently been enjoying each other's company, no prizes for guessing where the finger of suspicion is likely to point.The police pursue the obvious lines of enquiry, and Strangeways comes into the story with a view to representing the school's interests. The author endows him with one or two mannerisms which aren't terribly memorable, but he is nevertheless an engaging character, and he detects thoughtfully and well. A further murder is committed - this time at a cricket match - and the truth about the crime is conpicuously "modern" for the time when the story was written.Day Lewis, and his biographers, have seemed a bit dismissive about his crime novels, but they have lasted reasonably well, and it's worth noting that his career in the genre continued for rather longer than that of many of his contemporaries who started out in the Golden Age. This was partly because he was a genuinely talented writer, and partly because he was prepared to avoid formula, and try out fresh ideas. Not all of them were equally successful, but as this lively debut shows he had quite a flair for the genre.
score: 1 about 14 hours ago
By Cynthia Leitich Smith for CynsationsDivya Srinivasan on Octopus Alone: an interview by Chris Barton from Bartography. Peek: "'Loner' seems such a negative word, and so definitive. I liked showing a character who loves her home, but re...
By Cynthia Leitich Smith for CynsationsDivya Srinivasan on Octopus Alone: an interview by Chris Barton from Bartography. Peek: "'Loner' seems such a negative word, and so definitive. I liked showing a character who loves her home, but realizes she needs some space, and who then ends up finding a place that feels all her own, like a precious secret."Finding the Perfect First Sentence by Jessica Brody from Adventures in YA & Children's Publishing. Peek: "Sometimes, as a writer, all you get is one page, one paragraph or even one sentence to hook a reader. So it’s crucial to pick the right opening."Physical Attributes Entry: Butts from The Bookshelf Muse. Peek: "Physical description of a character can be difficult to convey—too much will slow the pace or feel 'list-like', while too little will not allow readers to form a clear mental image."Saying "No" to an Editor by Darcy Pattison from Fiction Notes. Peek: "You can refuse a contract for any number of reasons. Money, vision for the published manuscript, an unkind word. You never have to sign a contract."Where Are All the Black Boys? by Varian Johnson from They Call Me Mr. V. Pek: "Either people will think it's not relevant to them because it features a black boy. Or they won't buy it because they'll think it's about slavery or racism. Or people won't buy it because it's not true Black History Month material." Note: don't miss the continuing conversation in the comments. See also 2013 Middle Grade Black Boys: Seriously People? and Judging Covers by Andrea Davis Pinkey.Will Konigsberg's "influential" choiceAuthor Insight: Books with Influence from Wastepaper Prose. Peek: "What do you feel is the most widely influential book you’ve read in the last few years?"An Ongoing Discussion, an Ongoing Question by Charlesbridge editor Julie Ham for CBC Diversity. Peek: "Can authors or illustrators write about or illustrate cultures and races different from their own?" See also Diversity in the Caldecott Winners & Honors (Or Lack Thereof) from Children's Literature Network.What If? A Method for Developing Ideas by Elizabeth S. Craig from Mystery Writing is Murder. Peek: "You can brainstorm this way. You can even outline this way. You can get yourself out of plot holes this way."Asian Pacific American Heritage Month in Children's Literature from Colorín Colorado. Peek: "...celebrates family traditions and the rich diversity of Asian and Pacific Americans with books, activities, and a variety of resources and ideas for ELL (English language learners) educators."Genre Bending/Blending by Brian Yansky from Brian's Blog. Peek: "There's something inherently rebellious about writing fiction. And there are writers who find themselves, even if they begin writing in a certain genre they love to read, wandering."Guest Editor Danny Fingeroth on Submitting Graphic Novels from DearEditor.com. Peek: "...having pages of the story drawn and lettered to include with the proposal is generally a good idea, although there is the chance that some editors may not like the look of the art, and so may reject the story even if they like the writing, and even if you make it clear you would be willing to work with another artist."Cynsational Giveaways Ball by Mary Sullivan (PB)Nothing But Blue; Me, Penelope & Country Girl, City Girl by Lisa Jahn-Clough (YA)(3 books!) The winner of Feral Nights by Cynthia Leitich Smith was Amanda in London, and the winner of Eternal: Zachary's Story by Cynthia Leitich Smith, illustrated by Ming Doyle, was Brandon in Florida.See also Interview with Joy Preble & Giveaway of The Sweet Dead Life from Cari's Book Blog. This Week at CynsationsSharron L. McElmeel on Creating an Author/Illustrator Website with Teacher-Librarian AppealNew Voice Tamera Will Wissinger on Gone Fishing: A Novel in VerseShirley Reva Vernick on Defining Success New Voice Kit Grindstaff on The Flame in the Mist More PersonallyHere's a peek at my comings-and-goings last week in the Austin children's-YA lit scene.At the
score: 1 about 15 hours ago
By Janice Hardy, @Janice Hardy For the last several years I've participated in the Brenda Novak online auction for Diabetes research. This is a fantastic charity where writers and literary folk from all over donate time, prizes, and o...
By Janice Hardy, @Janice Hardy For the last several years I've participated in the Brenda Novak online auction for Diabetes research. This is a fantastic charity where writers and literary folk from all over donate time, prizes, and other goodies to help out a worthy cause. This year, up for bids is a 100-page critique from me. There's no time limit to when you can submit your pages and no genre or market requirements. If you're a regular follower of the blog, you have a pretty good idea of what my critique style is like from the weekly Real Life Diagnostics, and I give these charity critiques my full attention and really dig in. I'm happy to answer questions and discuss your critique after as well (I never crit and run). There's also a ton of other items up for bid, including a slew of terrific things from my writer/agent brothers and sisters at Nelson Literary Agency, so head on over and take a peek! Written by Janice Hardy. www.janicehardy.com
score: 1 about 18 hours ago
Good by Greg Pincus Last night we had a sitter Just like Mom had said we would, And since I am a real nice kid, I'd promised to be good. I kept my word. Indeed I did. I think it's plain to see. In fact, I'd say that I was jus...
Good by Greg Pincus Last night we had a sitter Just like Mom had said we would, And since I am a real nice kid, I'd promised to be good. I kept my word. Indeed I did. I think it's plain to see. In fact, I'd say that I was just as good as good can be. I was good at whining And at scaring our pet cat. And throwing food against the wall? Yes, I was good at that. I was good at tantrums And was good at staying up. I was extra good at pouring too much soda in my cup. I was good at playing - I played lots of "I can't hear!" And my sitter said that I was good at changing her career. So Mom and Dad, I'm asking you, I'm shouting through this door: If I was so, so good last night, what'd I get grounded for? Let me just go on record as saying there is nothing autobiographical about this poem (well, except for me being a good kid, of course!!!). I'm just sayin'..... You can check out this week's Poetry Friday roundup over at Ed DeCaria's Think Kid, Think!, and read some Poetry Friday history as well as see a slew of other great poetry posts. You should go. It's the "good" thing to do. And... if you want to get all the new poems hereabouts (and only the poems) emailed to you for freeee as they hit the blog, enter your email address in the box below then click subscribe!
score: 1 about 20 hours ago
Susan E. Goodman shared a wonderful tribute to mothers recently, and the coincidence of my youngest son’s upcoming college graduation inspires me to add a note of recognition for children. Whenever I do a school visit, I include a b...
Susan E. Goodman shared a wonderful tribute to mothers recently, and the coincidence of my youngest son’s upcoming college graduation inspires me to add a note of recognition for children. Whenever I do a school visit, I include a brief introduction about myself. “Here’s me in fourth grade,” I say, soon after the session begins. “If you’d asked me then what I wanted to be when I grew up, the first thing I’d have said was, ‘I want to be a children’s book author.’” It made perfect sense. I loved books. I loved to write. Why not write books for kids? Case closed. And yet, I tell the school children, I didn’t immediately become a children’s book author when I grew up. Instead I turned, upon finishing college, to what I call “more practical writing,” and then I describe the work I did for ten years with the marketing of books, academic public relations, and the editing of an alumni magazine. “It was only when I took a break to have kids,” I tell my audience, “that I reconnected with that childhood idea to write for young people.” So I have an easy answer when kids ask, “What made you want to become a children’s book author?”—“My kids,” I reply. Then I show a childhood photo of Sam and Jake “reading” Winnie the Pooh together. Hearts melt. What came next, I tell the students, is the birth of my writing career. “While I watched my kids grow up, they watched my career grow. Now they’re in middle school/high school/college (fill in the blank depending on what year I’ve been speaking), and I’ve published seven/eight/nine books (add corresponding number of titles).” Then I show a photo of my two sons at their present ages, contrasted with the photo of them as young children. Kids eat it up, of course, because they can see themselves in such a narrative, and I never tire of telling this story about my life and the lives of my sons. Sam, Class of 2011, now with City Year Jake, Class of 2013, Pitzer College Silly me. When I first became a children’s author, I thought that my story was unique. Now I’ve met and heard about dozens of authors who were inspired to write because of the children in their lives. Their own kids. Their grandkids. The children they teach. The children who visit the libraries where they work. The 10-year-old child embedded in their own hearts. You know what I’m talking about! Yet here we are, writing away for the archetypal young while our own original sources of inspiration grow toward adulthood and beyond. This Saturday my youngest son graduates from college, and the narrative of my school visits will have to be updated again. From cuddly boys to grown men. There’s a tale to celebrate! So it’s no wonder I’m drawn to visit schools, and you may be, too, for the same reason. Instantly we are surrounded by the little people who remind us why we write. Yes, it helps that our work can pay the bills, and yes, we write because we were meant to be writers, but we write for young people because, at the heart of it, we care about their future. If we can just give them good stories, good history, good science, inspiring knowledge, we will have, we hope, made a difference. I always say that being a parent was and is the best job I’ve ever had. Probably the hardest, too, but by far the most rewarding. Writing for young people is a very close second! Like parenting, it is a labor of love, born of the idea of passing on the joy of life to the youngest among us. Thanks, Jake and Sam, for inspiring me to be a better parent and a better writer. While I'm at it, I commend my fellow authors for writing and sharing your hearts and minds through your own works, and we all thank those in the wider publishing community who connect our creations with those smaller hands across the land. All are causes for celebration!
score: 1 about 21 hours ago
Lately, I've noticed a huge increase in the amount of fans devouring my books via the audio book format. Considering how busy most of us are in our day to day lives, this isn't really surprising. It's easy to listen to a book while drivi...
Lately, I've noticed a huge increase in the amount of fans devouring my books via the audio book format. Considering how busy most of us are in our day to day lives, this isn't really surprising. It's easy to listen to a book while driving to work, traveling, or doing daily chores. For lots of busy folks it allows them to enjoy books again. It can sometimes be very difficult to find the time to read when life is so full.Last year ACX (an Amazon company) created a program that helps writers, who retain their audio rights, find audio book producers/narrators for their books. It instantly opened up a new publishing format that had been closed to a lot of authors. I immediately signed up and soon had multiple books in production.Lately, to my surprise, several of my fans have contacted me about audio book versions of my indie books, not realizing that many are already released.I've had the pleasure of working with audio book producer Gregg Savage on several novels. Kristen Allison has narrated all the books in the Pretty When She Dies series and The Last Bastion of the Living under his direction. I think she did an amazing job! I just listened to Pretty When They Collide and it's great! It should be available for purchase in a few weeks.The Living Dead Boy and the Zombie Hunters is perfect for family vacation listening. It was narrated by Erik Sandvold. I wrote the book for the younger zombie fans, but it can be enjoyed by "kids" of all ages. Erik does a great job with the kid voices!Click on the cover to go to the Audible purchase page:Kathy Bell Denton has produced and narrated As The World Dies Untold Tales Volumes 1 & 2, and will also narrate the third. It's been a true pleasure working with her and you must check out her killer narration. She really get the characters down perfectly!Also available are the audio books for the As The World Dies trilogy published by Audible's publishing house and narrated by Cassandra Campbell.I hope you enjoy the audio books, and please remember to leave a review!
score: 1 1 day ago
I was exchanging emails with a writer of a novel I admired, when he asked me how my own work was going. It goes in fits + starts, I wrote, partly I think because I didn’t have enough distance from the real-life things that inspired it...
I was exchanging emails with a writer of a novel I admired, when he asked me how my own work was going. It goes in fits + starts, I wrote, partly I think because I didn’t have enough distance from the real-life things that inspired it. I lacked clarity. Also, afraid to write some of it, which I take as a good + promising sign. He agreed that it was a good and promising sign, because that meant “the stakes are what they ought to be.” I loved that response, and told him so, and he came back with an anecdote about a well-respected writer he knew who was judging a literary contest and reading through the novels that had been nominated and finding them well-written, yes, very much so, but…uninteresting…because there’s nothing in the way for the writer. There’s no obstacle. Nothing real is at stake. All of which I think is another way of saying, The writer failed to go there. Going there is about working along the nerve, slicing open your inner life. click to tweet Whether it’s tapping into confession, fantasy, or simply what you really think, this kind of writing isn’t safe. You’re stepping forward with a bold point of view, allowing yourself to move along the lines of your instincts instead of the wellworn grooves of what’s already out there. When you go there, you know it. You’ve got real soulskin in the game. You’re writing along that razor’s edge and wondering if you’ve gone over, if it’s not too late to pull back. Origin means the point at which something comes into existence: the source. To write in an original voice means to write from your source. Every story in the world has been told a million times…except when filtered through the prism of your perspective, your experiences and talent and worldview, grounded in the details of your private landscape. To write this way, original and fierce, means to show yourself, and not the glossy and practiced persona but the creature who lives behind that. It means to throw down.
score: 1 1 day ago
By Cynthia Leitich Smith for CynsationsKit Grindstaff is the first-time author of The Flame in the Mist (Delacorte, 2013). From the promotional copy:The sun never shines in the land of Anglavia. Its people live within a sinister mist cre...
By Cynthia Leitich Smith for CynsationsKit Grindstaff is the first-time author of The Flame in the Mist (Delacorte, 2013). From the promotional copy:The sun never shines in the land of Anglavia. Its people live within a sinister mist created by their rulers, the cruel Agromond family. The Agromonds' control is absolute; no one dares defy them. But things are about to change, for the youngest of them is not like the others...Fiery-headed Jemma has always felt like the family misfit, and is increasingly disturbed by the dark goings-on at Agromond Castle. The night before her thirteenth birthday, Jemma discovers the terrifying reason why: She is not who she thinks she is, and the Agromonds have a dreadful ritual planned for her birthday—a ritual that could kill her.But saving her skin is just the first of Jemma's ordeals. Ghosts and outcasts, a pair of crystals, a mysterious book, an ancient Prophecy—all these gradually reveal the truth about her past, and a destiny far greater and more dangerous than any she co
score: 1 1 day ago